Finding Aid for the Images of Artists Collection, circa 1800s-1900s MS.13

See also: Hopper, Edward and Smith, George Melville.

George Melville Smith congratulating Albright on being elected president of the Chicago Society of Artists.

Elderly Albright in front of door with wreath.

Bailey at work in his studio.

Original engraving by S. Ferris, 1883, depicting busts of seven artists of the Barbizon School (Corot, Daubigny, Diaz, Fromentin, Millet, Rousseau, and Troyon)

Four photographs (one duplicate).

Note on back indicates that Becker won first prize in the Concours de Sculpture in 1953.

Note on back reads: "Frank W. Benson inspects the results of recent labors. Scene from "The Etcher's Art" produced for the Museum of Fine Arts, Berlin, by the University Film Foundation of Harvard. First [-?] presentation, Tuesday afternoon, May 7, at the Boston Museum. Art Digest."

Four photographs, including one where she is perhaps on safari, holding a rifle.

Two copies of one photograph, pictured with "Anatole."

Photograph by Jean-Regis Roustan, Paris, reads, "Breton a L'Exposition Surréaliste."

Photograph by Peter A. Juley & Son, New York, N.Y.

Photograph of "Mr. George Elmer Browne's Class." Browne among his art students painting a nude female model.

Photograph of Burchfield painting The Woodpecker on an easel in his studio.

Photograph of Burchfield in studio.

Photograph of Burchfield as a young man.

Photograph by Warren Forma. Caption reads: "Reg Butler who makes sculpture very much according to the time of the year. One of the sculptors included in Warren Forma's book, 5 British Sculptors (Work & Talk). Published November 26 by Grossman Publishers."

Appears to be a photographic copy of original picture, Cassatt in Paris, May, 1913, courtesy of Durand-Ruel. Back of photograph reads, "The only photograph for which she ever posed" and handwriting on front of photograph reads, "Mary Cassatt May 1913."

Photograph by Maurice Poplin, Villemomble, France. Note reads: "At work – Vincennes Zoo – Paris – Beginning “Pelican-in-repose” carved direct from life in Greek marble."

Engraving by T. Johnson after a photograph by Nadar, undated.

Engraving by G. Perrichon published in Art Journal, undated.

see also: Barbizon School engraving.

Photograph by J.P. Mayall, published by Sampson Low, Marston, Searle, & Rivington, London. File includes a biographical sketch about Cousins, focusing on his relationship to the Royal Academy, and lists many of his works.

Cabinet card by De Voe, Urbana, Ohio. Note on back reads: "John Cranch, painter (1807-1891). Son of Judge Wm Cranch. Bro. of C.P. Cranch."

a.k.a. John Stewart Curry, John Stuart Curry.

Cabinet card by Nadar, Paris.

Engraving by T. Johnson of photograph by Pierre Petit, published in The Century Gallery of One Hundred Portraits, 1892. Stored in oversize box A.

see also: Barbizon School engraving.

Note on back reads, "in the country, 1972, Hooseck Falls." [Hoosick Falls, N.Y.]

Text on print reads: "Héliog, Georges Petit. Cliché Nadar."

Published in Boston Globe, 1923.

"Official Photograph, Birmingham General Hospital, Van Nuys, California." A young Duchamp and three unidentified males in military uniforms, in front of Nude Descending a Staircase.

Print by Daniel MacMorris of Duchamp seated in front of his Nude Descending a Staircase, 1937.

Duchamp and his portrait [sculpture] by Isabelle Waldberg, Paris, 1958.

Photograph by Richard Lusby of Duchamp working at his new ready-made for the deluxe edition of Robert Sebel's book, Eau & Gaz, A Tous Les Étagess, 1958.

Text reads: "1958 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Carnegie Institute, Pittsburgh, December 4, 1958 - February 8, 1959. Marcel Duchamp, Paris, France, Member of Jury Award."

Text reads, "Marcel Duchamp with the original wax of his assemblage 'Marcel Duchamp moulé vif 1967.'" Duchamp pictured with casts of his face and arm (by Editions Les Maitres Ltd. of New York), chess board, and knight piece.

Cabinet card by Pierre Petil, Paris.

Folder includes typed notes describing one postcard (included) and Portrait of Madame Leopold Gravier (not included).

Photograph of Fantin-Latour with two unidentified males in Buré, France, 1904.

Photograph of Fantin-Latour and a female [wife, Victoria Dubourg?].

Postcard to Madame E. Ruth Edwards, London, England, December 1901, picturing Fantin-Latour and unidentified male.

Two postcards (duplicates) of Fantin-Latour seated.

Postcard picturing Fantin-Latour's studio, featuring The Dubourg Family, which was painted by Fantin-Latour in 1878.

Postcard of "Buré (Orne) - Maison de Fantin-Latour."

Engraving.

Photograph by Alfred Eisenstadt, New York.

Pictured left to right: Luigi Russolo (1885-1847), Carlo Carrà (1881-1966), Filippo Tommaso Marinetti (1876-1944), Umberto Boccioni (1882-1916), and Gino Severini (1883-1966).

Photograph of Gijswijt painting in her studio.

Engraving.

Photograph from 1946 exhibition Artists Look Like This (Portraits of Artists in America) at the Philadelphia Museum of Art.

Photograph by Renato Gozzano, note on back reads, "Swiss artist Max Gunther (left) with Charles Moses, director of the 88 Gallery, in front of one of his paintings."

Hare standing with Henry Kleemann in front of portrait entitled "Chinchilla Wrap" at Hare's exhibition at Kleemann Gallery.

Photostat from exhibition catalog for The Negro Artist Comes of Age: A National Survey of Contemporary American Artists, Albany Institute of History and Art, January 3 - February 11, 1945.

Photograph by Etienne Hubert, Paris. Note on back reads, "Hélion à l'atelier, 1958".

Photograph by Denise Colomb, Paris, 1957 of Hélion seated with paintings. Photograph is split in two.

Photograph by Wilhelm Photo, Gloucester, Mass., features Hibbard with Coast Guardsman Arrow, Grace Cook, Louise Goodale, and Otis Cook on a fishing wharf in Gloucester, Mass.

Hoffman at work in her studio.

Hopper seated alongside Hermon More and Ivan Le Lorraine Albright.

Cabinet card by A.J.M. Steinmetz. Originally signed and addressed to Mrs. [Adelaide] Frick by Israëls.

Cabinet card by Vinkenbos & Dewald. Signed by Israëls.

Gift of Art Students League, New York, N.Y., August 31, 1988.

Photographed by Charles E. Kerlee, Los Angeles, Calif.

Engraving from Life, September 10, 1945.

4 cuts from publications. Also includes biographical essay.

Gift of Dr. S.C. Hooker.

Larsson in his studio, reproduction from the "The English Pre-Raphaelite Painters," Percy Bates, 1908.

Two photographs, one by Nickolas Muray, New York.

Photograph by J.P. Mayall, published by Sampson Low, Marston, Searle, & Rivington, London.

Print from a photograph by Samuel A. Walker that reads: "Supplement to the New Series. The Pictorial World, May 5th 1883." Stored in oversize Box A.

Photographs (two duplicates) of Lewis wearing three piece suit.

Photograph of Lewis holding an axe.

Photograph of Lewis in front of an early etching.

Photographs (one duplicate) of Lewis, December 25, 1930.

Photograph of Lewis with two friends near Peekskill, circa 1915.

Photographs (one duplicate) of a portrait of Lewis' sister.

Photograph of Maillol on his farm in Southern France published in Magazine of Art, November 1944.

Photograph by H. R. Niebel, Orillia, Ontario.

Biographical information attached to back of photograph.

Cabinet card by Vikenbos & Dewald.

Photograph by J.P. Mayall, published by Sampson Low, Marston, Searle, & Rivington, London. File includes a biographical sketch about Marshall, focusing on his relationship to the Royal Academy, and lists many of his works.

Drawing from New York Times, March 16. 1930

(See also: Maurer, Alfred Henry)

Photograph of Louis Maurer in his studio at 404 W. 43rd St., New York, N.Y., with his son, Alfred Henry Maurer.

Cabinet card by Braun Clement & Cie., Paris.

Chromotypogravure from Paris Illustré, June 8, 1889 stored in oversize Box A.

Cabinet card by A.J.M. Steinmetz, signed and addressed to Mrs. [Adelaide] Frick by Mesdag. Mesdag also sketched a picture of boats on water in ink and pencil on the back.

Cabinet card by Nadar, Paris.

New York Times article, 1944 includes photograph of base of Millet memorial.

Negative for photograph of the studio of Millet.

see also: Barbizon School engraving.

Drawing from Illustrated London News, November 4, 1961.

Printed on mount: "Painted by Alonzo Chappel. Likeness from the last approved photograph from life."

Photograph by Gaby Grafin Arnim, München, Germany.

Phototype by F. Gutekunst, Philadelphia that reads, "From negative in the possession of Ferdinand J. Dreer," stored in oversize box A.

Four photographs (one is a duplicate) taken by Josephine Withers in 1978 at Oppenheim's residence in Bern, Switzerland.

One postcard from the 1984 Meret Oppenheim exposition at Galerie Farideh Cadot, Paris.

Photograph by J.P. Mayall, published by Sampson Low, Marston, Searle, & Rivington, London. File includes a biographical sketch about Pettie, focusing on his relationship to the Royal Academy, and lists many of his works.

"Hobson Pittman sitting in the rocking chair that appears in so many of his paintings--Photograph taken by Gloria Braggiotti at Mr. Pittman's house in Manoa, Pa. 1941."

Cropped photograph of Pittman. Note on back reads, "photograph of Pittman August 1944."

Photograph by J.P. Mayall, published by Sampson Low, Marston, Searle, & Rivington, London. File includes a biographical sketch about Prinsep, focusing on his relationship to the Royal Academy, and lists many of his works.

Engraving.

1915 drawing of Renoir published in Magazine of Art, March 1945.

Color-Tone engraving for The Century, by H. Davidson, from a photograph by Alvin Langdon Coburn.

Color illustration of Rodin's studio by E. Matthes, Paris published 1907.

Note on back reads: "MORTALS AND IMMORTALS (Title of 1964 show at Gallery 63). Photo of Umberto Romano Gallery 63, New York City."

Cabinet card by Nadar, Paris.

see also: Barbizon School engraving.

Photograph by C.E. Fry & Son.

Photograph by J.P. Mayall, published by Sampson Low, Marston, Searle, & Rivington, London. File includes a biographical sketch about Stone, focusing on his relationship to the Royal Academy, and lists many of his works.

Portrait of Suttermans by Sir Anthony Van Dyck.

Thiebaud in Kyoto, Japan, 1987, with a woodblock and proofs of Hill Street.

Photograph of Thompson.

Photograph of Thompson and his wife, 1955.

Four photographs (two are duplicates) of Ufer painting The Watcher in the desert of New Mexico. "Photo by Edna W. Wells, Hunter College, N.Y.C." written on back of two photographs.

Photograph shows artist's signature and written date, which appears to read "15 Août, 1893."

Photograph of Warren on a horse.

Photograph by J.P. Mayall, published by Sampson Low, Marston, Searle, & Rivington, London. File includes a biographical sketch about Webster, focusing on his relationship to the Royal Academy, and lists many of his works.

Drawing of Whistler from Magazine of Art, March 1945.

Photograph of Whistler, undated.

Photograph by M.H. Manugian, South Norwalk, Conn.

Cabinet card by Walery, Paris, signed by Ziem.

Cabinet card from Nos Contemporains Chez Eux by Dornac, Paris, shows Ziem seated with paint and brushes next to a painting.