January 11, 2019
Curatorial Blog
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Barkley L. Hendricks and the Old Masters
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What We Look at When We Look at a Vermeer
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Return of the Vermeers: New Insights on Three Masterworks
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The Frick's Velázquez in "The Maltese Falcon"
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Picturing Paradise: T. S. Eliot, John Milton, and Jean-Honoré Fragonard
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Mapping Provenance: Bellini's "St. Francis in the Desert"
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Mapping Provenance: Fragonard's Progress of Love
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Mapping Provenance: Holbein's "Sir Thomas More"
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Mapping Provenance: Vermeer's "Mistress and Maid"
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New Discoveries Offer Answers to Mystery of Frick's Vermeer
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Special Exhibition: "Henry Arnhold’s Meissen Palace: Celebrating a Collector"
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John Updike and the Frick
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Special Loan: John Singer Sargent’s "Fishing Boats at Whitby"
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Rediscovering Vermeer’s "Mistress and Maid": The Newest Book in the Frick’s Diptych Series
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Bronze Statuette Offers a Preview of Next Year’s Fall Exhibition
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Recent Acquisition: Rare Vase by Luigi Valadier on View
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Recent Acquisition: Portrait of a Lady
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“Lost” Murillo Portrait Joins Special Exhibition
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Special Loan: Vesuvius in the Shadow of Revolution
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Heads and Tales: A Conversation with Stephen K. Scher
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Special Loan: "On the Côte d’Opale, Picardy"
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Extended Loan: Francesco Guardi’s "View of the Villa Loredan at Paese"
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Portrait Medals from the Scher Collection Come to the Frick
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Van Dyck's Portrait of Cardinal Bentivoglio
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Van Dyck Portraits Return to the Galleries
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Leighton, Whistler, and Aestheticism
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A Masterpiece of Spanish Painting Enters the Collection