The model for a medal was typically shaped in wax, stone, or wood. Medalists in Germany tended to favor stone and wood, while artists in Italy usually preferred wax (see no. 34, a rare surviving example of a sixteenth-century wax model). In the nineteenth century, the French sculptor Pierre-Jean David d’Angers sculpted expressive models in wax, such as the one of Pierre-René Choudieu (no. 112), for a large number of cast medals and medallions (reviving the tradition of cast medals of the Italian Renaissance). Plaster, as seen in the model for the Jean-Victor Schnetz medal (no. 111), could be used to make a model and for casting after a medal.
PAST EXHIBITION
Models for Medals
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Unknown Nuremberg artist
Friedrich VII Behaim (1491–1533), dated (on reverse) 1526
Limestone
Diam.: 1 9/16 in. (4 cm)
Scher CollectionCat. 44
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Friedrich Hagenauer (act. 1520–after 1546)
Matthaeus Schwarz (1497–ca. 1574), 1530
Boxwood
Scher Collection
Diam. obverse: 1 3/4 in. (4.4 cm)
Diam. reverse: 1 3/4 in. (4.37 cm)Cat. 49
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Pierre-Jean David d’Angers (1788–1856)
Jean-Victor Schnetz (1787–1870), dated 1828
Plaster
Diam. (with loop): 5 3/16 in. (13.17 cm)
Diam.: 4 7/8 in. (12.37 cm)
Scher CollectionCat. 111
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Pierre-Jean David d’Angers (1788–1856)
Pierre-René Choudieu (1761–1838), 1832
Wax on slate
5 5/8 × 4 15/16 in. (14.25 × 12.56 cm)
Scher CollectionCat. 112