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  • The Lost Bride

    Lost or destroyed paintings are perhaps the most painful reminder of the importance of photoarchives and similar repositories of images and accompanying metadata. An unfortunate example is this portrait of a young bride.

  • Analog Facial Recognition

    Beginning in 1925, Helen Clay Frick hired the Italian photographers Mario Sansoni and Oreste Nesti to traverse Italy documenting in situ sculptures, paintings, and frescoes that other firms such as Anderson, Alinari, and Brogi had neglected to capture. On several occasions, staff of the Frick Art Reference Library requested photography of objects specifically related to works in The Frick Collection. See more at frick.org/blogs/photoarchive/analog_facial_recognition

  • Kress Foundation Grant for Image Analysis Toolkit

    The Frick Art Reference Library Photoarchive recently received a $25,000 grant from the Kress Foundation to support the creation of a toolkit that will perform computer vision analysis on digitized art historical photo archives. This toolkit will be a groundbreaking application of technology that will transform the way photo archives are used.

  • A Byzantine Madonna in Italy

    The third and final entry in a series of three blog posts focusing on conservation "interventions" as recorded in the holdings of the Frick Art Reference Library Photoarchive is this mysterious devotional image in the church of San Martino in Velletri, Italy.

  • Lost and Found

    The second of a series of blog entries focusing on conservation “interventions” as recorded in the holdings of the Frick Art Reference Library Photoarchive is this problematic portrait of an engaging young woman, her son, and their serene spaniel attributed to Sir William Beechey (1753–1839).

  • Art and Fashion

    The first in a series of blog entries focusing on conservation “interventions” as recorded in the holdings of the Frick Art Reference Library Photoarchive is this elegant portrait of Mrs. William Bedlow Crosby attributed to Eliab Metcalf (1785‒1834), which underwent substantial restoration before 1940.

  • The Bannard Family Leaves Brooklyn

    The Photoarchive recently received a gift of three reproductions of portraits of Brooklyn’s Bannard family, including a charming group portrait of the five Bannard children.

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