Full Image Citation List for the Open Gallery Exhibit Video: Documenting Art Collections in Gilded Age New York, 2015

In order of appearance:

Unknown, Postcard showing Théobald Chartran’s villa in Clarens, Switzerland, signed by Henry Clay Frick and others, 13 August 1904. Courtesy The Frick Collection / Frick Art Reference Library Archives.

Unknown, William-Adolphe Bouguereau, no later than 1904. The Booklovers Magazine. https://archive.org/stream/appletonsmagazin03newy#page/328/mode/2up. Wikimedia. https://commons.wikimedia.org/w/index.php?title=File:William-Adolphe_Bouguereau_in_his_Studio.jpg&oldid=138279313

Centennial Photographic Co., Japanese Bazaar, 1876. Still image. Library of Congress. http://www.loc.gov/pictures/item/00651043/

Unknown, The Palace of Mechanic Arts and the Lagoon in Front in Fact East Facade Facing the South Canal] at the 1893 World Columbian Exposition, Also Known as the Chicago World’s Fair, 1893. Smithsonian Institution Archives. http://siarchives.si.edu/blog/sneak-peek-6132012. Wikimedia. https://commons.wikimedia.org/w/index.php?title=File:Palace_of_Mechanic_Arts,_1893_World_Columbian_Exposition.jpg&oldid=138424604

New York NY Daily Graphic, The Public Be _? Fulton History. http://fultonhistory.com/my%20photo%20albums/All%20Newspapers/New%20York%20NY%20Daily%20Graphic/index.html (accessed August 5, 2015).

Unknown, Genuine Connellsville Coke. Still image. http://www.loc.gov/pictures/item/2003673029/ (accessed August 13, 2015).

Frederick Burr Opper, Puck (German edition), February, 1882. HathiTrust. http://hdl.handle.net/2027/mdp.39015084601270?urlappend=%3Bseq=344.

View of William H. Vanderbilt art gallery at 640 Fifth Avenue, New York, NY. In Earl Shinn, Mr. Vanderbilt's house and collection / described by Edward Strahan [pseud.]. Boston: G. Barrie, 1883–84.

John P. Soule, The Vanderbilt Houses, Fifth Avenue. 1860–1920.  Still image. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. http://digitalcollections.nypl.org/items/510d47d9-ae79-a3d9-e040-e00a18064a99.

Unknown, The National Academy of Design, Corner of 4th Avenue and 23rd Street, 1895?. Albumen print. The New York Public Library. http://digitalcollections.nypl.org/items/510d47e1-eb9e-a3d9-e040-e00a18064a99 (accessed September 21, 2015). From: Wikimedia. https://commons.wikimedia.org/w/index.php?title=File:The_National_Academy_of_Design,_corner_of_4th_Avenue_and_23rd_Street,_from_Robert_N._Dennis_collection_of_stereoscopic_views.png&oldid=57652638

Unknown, Knoedler Gallery, 555 Fifth Avenue at 46th Street, New York  (2012.M.54). Getty Research Institute, Los Angeles. In the New York Times. http://www.nytimes.com/2012/10/19/arts/design/getty-institute-buys-knoedler-gallery-archive.html?_r=0 (accessed September 30, 2015).

American Art Association, Front cover of a Stanford White auction catalog. In Illustrated catalogue of the artistic furnishings and interior decorations of the residence no. 121 East Twenty-First Street, New York City. New York: American Art Association, 1907.

The Collection of Miss Catharine Lorillard Wolfe. In Earl Shinn, The art treasures of America; being the choicest works of art in the public and private collections of North America; edited by Edward Strahan [pseud.]. Philadelphia: G. Barrie, 1880. Vol. 3, page 119.

Various, Collage of collection catalog covers held at the Frick Art Reference Library, 2015.

Lihou Art Galleries, Catalogue of the private collections of modern paintings belonging to Stillman Foster Kneeland and Jean De Lamare. New York: Lihou Art Gallery, 1888. Title page.

Earl Shinn, The art treasures of America; being the choicest works of art in the public and private collections of North America; edited by Edward Strahan [pseud.]. Philadelphia: G. Barrie, 1880. Volume 1, Title page.

American Art Association, De luxe illustrated catalogue of the notable art collection formed by the late George A. Hearn, merchant, art patron and benefactor. New York: American Art Association, 1918. Front cover.

______ Mrs. Morgan’s Collection of Paintings. New York: Theo L. de Vinne, 1884. Front cover.

______ Mrs. Morgan’s Collection of Paintings. New York: Theo L. de Vinne, 1884. Title page.

Albany Institute of History and Art, Gallery of Paintings. In Catalogue of paintings of the Albany Institute and Historical and Art Society, Albany, N.Y. Albany: Press of Frank H. Evory & Co., 1924. Plate 2.

Thomas Jefferson Bryan. Companion to the Bryan Gallery of Christian Art : containing critical descriptions of the pictures, and biographical sketches of the painters : with an introductory essay and an index / by Richard Grant White. New York: Baker, Godwin & Co., printers, 1853. Front cover.

Unknown, Gallery of Thomas Jefferson Bryan.

Unknown, Gallery of James Jackson Jarves.

Courtesy of Yale University Art, James Jackson Jarves (1818–1888) Was an American Newspaper Editor, and Art Critic, before 1888. Hawaiian Journal of History. Volume 55, 1947, page 18. http://hdl.handle.net/10524/95. Wikimedia. https://commons.wikimedia.org/w/index.php?title=File:James_Jackson_Jarves.jpg&oldid=149209525

Detroit Publishing Co., Metropolitan Art Museum, Central Park, New York, 1902. Still image.  Library of Congress. http://www.loc.gov/pictures/item/det1994008015/PP/.

Frances Benjamin Johnston, Samuel Longstreth Parrish Art Museum, 25 Jobs Lane, Southampton, New York. Entrance, 1915. Still image.  Library of Congress. http://www.loc.gov/pictures/item/2008680115/

W. H. Vanderbilt’s Gallery, 1885. In Tom Miller, Daytonian in Manhattan: The Lost Wm. K. Vanderbilt Mansion—660 5th Avenue. June 16, 2014. http://daytoninmanhattan.blogspot.com/2014/06/the-lost-wm-k-vanderbilt-mansion-660.html.

Catalogue of the extremely valuable and highly artistic property belonging to the American Art Association. New York: American Art Association, 1895. Front cover.

Thomas B. Clarke, The private collection of Thomas B. Clarke of New York : exhibited for the benefit of the Figure composition prize fund of the National Academy of Design at American Art Gallery, New York, Dec. 28, 1883, to Jan. 12, 1884. New York: Studio Press, 1883. Front cover.

Étienne Maurice Falconet, Mantel Clock. White marble, 14 1/8 in. In The Rita Lydig collection, catalogued by Wilhelm R. Valentiner, with the assistance of Durr Friedley. New York: Privately printed, 1913. Page 54.

Manner of Konrad (Conrad) Meit, Adam and Eve. Boxwood, full round, 5 ¾ in. In The Rita Lydig collection, catalogued by Wilhelm R. Valentiner, with the assistance of Durr Friedley. New York: Privately printed, 1913. Page 46.

Unknown, No. 158. Ming Pottery Statuette, 16th century. 16 ¾ x  6 in.; No. 159. Ming Pottery Statuette, 16th century. 17 x  6 in.; No. 160. Ming Pottery Figure on Bench. 13 x 9 in. John Getz, Catalogue of Chinese art objects : including porcelains, potteries, jades, bronzes, and cloisonné enamels collected by Edward R. Bacon / notes and descriptions by John Getz. New York: Privately printed for V. P. Bacon, 1919. Plate XXIV.

Rosa Bonheur, Scotch Cattle. In Earl Shinn, The art treasures of America; being the choicest works of art in the public and private collections of North America; edited by Edward Strahan [pseud.]. Philadelphia: G. Barrie, ca. 1880. Volume 2, plate 40.

Childe Hassam, Twilight in Paris. In George William Sheldon, Recent ideals of American art : one hundred and seventy-five oil paintings and water colors in the galleries of private collectors, reproduced in Paris on copper plates by the Goupil photogravure and typogravure processes / text by George William Sheldon. New York and London: D. Appleton & Company, ca. 1888–90. Plate 70.

E. L. Weekes, A Hindoo Marriage. In George William Sheldon, Recent ideals of American art : one hundred and seventy-five oil paintings and water colors in the galleries of private collectors, reproduced in Paris on copper plates by the Goupil photogravure and typogravure processes / text by George William Sheldon. New York and London: D. Appleton & Company, ca. 1888–90. Plate 72.

Émile Van Marcke, La Forêt. In Earl Shinn The art treasures of America; being the choicest works of art in the public and private collections of North America; edited by Edward Strahan [pseud.]. Philadelphia: G. Barrie ca. 1880. Volume 3, plate 37.

J. D. Chalfant, A Good Story. 16 x 12 in. In Frederick Seymour Gibb, The private collection of F. S. Gibbs. [With biographical notes and index.] New York: Dempsey & Carroll Press, 1899. Plate 50.

Unknown, H. O. and Lousisine Elder Havemeyer. The Shelburne Museum. http://academics.smcvt.edu/shelburnemuseum/sestey/Louisine%20Elder%20Havemeyer.htm (accessed August 4, 2015).

Édouard Manet, The Railway, 1873. Oil on canvas. The National Gallery of Art, Washington. https://commons.wikimedia.org/w/index.php?title=File:Edouard_Manet_-_Le_Chemin_de_fer_-_Google_Art_Project.jpg&oldid=154538202

Pach Brothers, Portrait of Henry Clay Frick, 1916. Courtesy The Frick Collection / Frick Art Reference Library Archives.

Hans Holbein the Younger, Portrait of Sir Thomas More, 1527. Oil on oak panel, 74.2 × 59 cm. The Frick Collection, New York. http://collections.frick.org/view/objects/asitem/People@110/0/primaryMaker-asc/title-asc?t:state:flow=ebc224f9-2df8-4294-850c-a0e3161aa82f