Finding Aid for the J. Hall Pleasants Research Files, 1924-1959 MS.12

Summary Information

Repository
The Frick Collection/Frick Art Reference Library Archives10 East 71st Street
New York, NY, 10021
archives@frick.org
 © 2010 The Frick Collection. All rights reserved.
Creator
Pleasants, J. Hall (Jacob Hall), 1873-1957.
Title
J. Hall Pleasants Research Files
ID
MS.12
Date
1924-1959
Extent
5.0 Linear feet  (10 boxes, oversize material)
Abstract
Dr. J. Hall Pleasants (1873-1957), an authority on early Maryland painters and their works, provided the Frick Art Reference Library with information on thousands of Maryland paintings, and also organized and participated in the Library's photographing expeditions to Maryland. The correspondence and notes in this collection contain information on the genealogy of portrait subjects, painting provenance, attributions, owners, dates, and locations, with the bulk of the research concerning paintings represented in the Library's Photoarchive. Also documented is his research on the artists John and Gustavus Hesselius, Saint Mémin, Justus Engelhardt Kühn, and Joshua Johnson [Johnston], an early African-American portrait painter he is credited with identifying.

Preferred Citation

J. Hall Pleasants Research Files. The Frick Collection/Frick Art Reference Library Archives.

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Biographical Note

Dr. J. Hall Pleasants (1873-1957), an authority on early Maryland painters and their works, earned his medical degree from Johns Hopkins University in 1899. He served on the faculty of the Johns Hopkins School of Medicine as an instructor in medical diagnosis from 1900 to 1935. He also established a private practice, but soon shifted his focus to advocacy for patients with tuberculosis. After resigning as a member of the Maryland Tuberculosis Sanatorium Commission in 1921, Dr. Pleasants became interested in early Maryland paintings and began documenting thousands of works in his home state.

Dr. Pleasants first became associated with the Frick Art Reference Library in 1924, in response to a letter from Library Director Helen Clay Frick requesting his assistance in identifying paintings to photograph in the Baltimore area. The Library had begun photographing artwork in both private and public collections in 1922 in order to acquire photographs for its Photoarchive. Dr. Pleasants' involvement in organizing and participating in Frick Art Reference Library photographing expeditions in Maryland led to a mutual exchange of research and photographs with the Library that lasted 33 years. Dr. Pleasants provided the Library with information on thousands of Maryland paintings and miniatures, but the bulk of the research he shared concerned the paintings that had been photographed by the Library.

His other areas of research included genealogy, history, and Maryland silver. His publications include Four Late Eighteenth-Century Anglo-American Landscape Painters (1943),  Maryland Silversmiths, 1715-1830 (1930),  Two Hundred and Fifty Years of Painting in Maryland (1945), and  Joshua Johnston, the First American Negro Portrait Painter (1942). He was a trustee of the Baltimore Museum of Art, Johns Hopkins University, and the Peabody Institute, and vice president of the Maryland Historical Society for 23 years. Dr. Pleasants' personal archive of approximately 4,000 photographs and accompanying notes, which he had organized using a modified version of the Frick Art Reference Library classification system, were bequeathed to the Maryland Historical Society upon his death in 1957.

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Scope and Content Note

The collection documents Dr. J. Hall Pleasants' research on early Maryland paintings and contains his correspondence with Frick Art Reference Library staff and the detailed research notes he shared with them. The bulk of the collection concerns paintings that were photographed by the Frick Art Reference Library for inclusion in its Photoarchive. Papers date from 1924-1959. Some of the research notes contain annotations and additions made by Frick Art Reference Library staff through the 1990s.

The collection is organized in three series: Series I: Correspondence, Series II: Research Notes, and Series III: Lists. The correspondence includes Dr. Pleasant's original letters to Library staff and carbon copies of their responses. Correspondence concerns the exchange of research notes and photographs with the Library, details of the Library's photographing expeditions in Maryland, and his research on the paintings photographed by the Library. Some letters contain detailed discussions on the identification of portrait subjects and artist attribution. Letters also contain information on Dr. Pleasants' research on John and Gustavus Hesselius, Saint Mémin, Justus Engelhardt Kühn, and Joshua Johnson [Johnston], an early African-American portrait painter he is credited with identifying.

Series II: Research Notes contains biographical sketches and descriptive information on hundreds of early Maryland paintings, including details on the genealogy of portrait subjects, painting provenance, artists, attribution, owners, dates, locations of the works, reproductions, and exhibitions. Series III: Lists consists of lists of paintings either located in Maryland or of Maryland subjects, the bulk concerning works photographed by the Library.

The collection is of special value to users of photographs in the Frick Art Reference Library Photoarchive that correspond to the biographical and subject notes in Dr. Pleasants' papers. Photo mounts containing a JHP number (Dr. Pleasants' personal numbering system) are linked to notes in this collection, which may provide additional information on the paintings.

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Arrangement

The collection is organized in three series:

Series I: Correspondence, 1924-1959

Series II: Research Notes, 1931-1957

Series III: Lists, 1924-1939

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Administrative Information

Access Restrictions

These records are open for research under the conditions of The Frick Collection/Frick Art Reference Library Archives access policy. Contact the Archives Department for further information at archives@frick.org.

Processing Information

Arranged and described by Susan Chore, 1999.

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Related Materials

Related Materials

Frick Art Reference Library - Central Correspondence - Maryland Historical Society files. The Frick Collection/Frick Art Reference Library Archives.

Katharine McCook Knox files. The Frick Collection/Frick Art Reference Library Archives.

J. Hall Pleasants Papers. Maryland Historical Society.

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Controlled Access Headings

Corporate Name(s)

  • Frick Art Reference Library.

Genre(s)

  • Correspondence.
  • Research notes.

Personal Name(s)

  • Hesselius, Gustavus, 1682-1755.
  • Johnson, Joshua, fl. 1796-1824.
  • Pleasants, J. Hall (Jacob Hall), 1873-1957.

Subject(s)

  • Art--Private collections--Maryland.
  • Art--Provenance--Research.
  • Artists--Maryland.
  • Maryland--Genealogy.
  • Portrait painters.
  • Portraits, American.

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Collection Inventory

Series I: Correspondence, 1924-1959
 

Arranged chronologically.

Contains Dr. Pleasants' letters to Frick Art Reference Library staff and carbon copies of Library responses. Letters discuss his research on early Maryland paintings and often contain cross-references to his research notes. Of note are detailed discussions of painting subject identification and artist attribution. Letters also document details of Library photographing expeditions, including the selection of paintings to photograph, arrangements, logistics, and summaries of the trips. Correspondence also contains references to Dr. Pleasants' research for his upcoming publications.

Box Folder Date
1 1

Correspondence
 

November 26, 1924 letter from Helen Clay Frick describes the Frick Art Reference Library and asks for Dr. Pleasants' permission to photograph his art collection, and for his assistance in identifying collections for a photographing expedition to Baltimore in December, 1924.

1924-1925
1 2

Correspondence
 

April 24, 1926 letter describes systems of Library's photograph archives and storage. September 27, 1926 letter describes how Dr. Pleasants' notes and additions are incorporated into the photo collection. 1926 letters refer to four Baltimore photographing expeditions.

1926
1 3

Correspondence
 

1927 Jan. - May
1 4

Correspondence
 

Dr. Pleasants sent 175 pages of biographical notes on portraits and miniatures photographed by the Library in Maryland. December 21, 1927 Library letter describes the photo classification system: "As you will see, this classification is very faulty and I should certainly not advise you to copy it as it stands. We did not realize when we first adopted it how bad it was and now it is too late for us to change."

1927 Jul. - Dec.
1 5

Correspondence
 

October 10, 1928 letter details photographing expedition to Annapolis and surrounding area, reaction of owners, and problems encountered.

1928
1 6

Correspondence
 

April 10, 1929 letter contains description of Pleasants' work on his book on early Maryland silversmiths. April 17, 1929 letter contains Library research (five pages) for Pleasants on Gustavus Hesselius for an article he is writing, with an additional ten pages on April 20.

1929
1 7

Correspondence
 

1930
1 8

Correspondence
 

1931
1 9

Correspondence
 

March 31, 1932 letter notes that the photographs Dr. Pleasants orders from the Library are to be a gift, per Miss Frick. November 12, 1932 letter contains Dr. Pleasants' information on possibly the earliest African-American portrait painter.

1932
1 10

Correspondence
 

November 15, 1933 letter includes discussion of December photographing expedition in Maryland.

1933
1 11

Correspondence
 

November 20, 1934 letter contains additional information on blacksmith artist/African-American artist. Pleasants mentions plans to read voluminous diaries of John P. Kennedy to find clues as to who painted family portraits.

1934
2 1

Correspondence
 

Dr. Pleasants sent biographical notes for 320 portraits on March 28, 1935. April 5, 1935 letter refers to Pleasants' contribution to the Dictionary of American Biography entries on Gustavus and John Hesselius.

1935
2 2

Correspondence
 

Dr. Pleasants provides information on first African-American portrait painter in October 28, 1936 letter; the artist is named "William Johnson," but Pleasants had not completed his research and requested that they not place this information on photo mounts. Correspondence also discusses Wertmuller journal and the value it may have in identifying sitters.

1936
2 3

Correspondence
 

In May 14, 1937 letter, Dr. Pleasants notes that he had begun writing on Justus Engelhardt Kühn for publication by American Antiquarian Society. In September 20, 1937 letter, Dr. Pleasants mentions he is writing a catalogue of the Baltimore Museum of Art exhibition celebrating the 200th anniversary of Charles Carroll of Carrollton.

1937
2 4

Correspondence
 

Correspondence contains reference to a photographing expedition April 4-13 with Frick Art Reference Library staff member Katharine McCook Knox and Library photographer Ira W. Martin.

1938
2 5

Correspondence
 

Contains reference to April photographing expedition in Baltimore.

1939
2 6

Correspondence
 

February 26, 1940 letter notes that Pleasants' article on Joshua Johnson is to be published by the Walpole Society.

1940
2 7

Correspondence
 

March 6, 1941 Library letter mentions Library microfilming project, and the postponement of photographing trips for eight months to a year, as Ira W. Martin, the Library photographer, is operating the microfilm machine. June 13, 1941 letter from Dr. Pleasants discusses the safety of collections in D.C. and New York.

1941
2 8

Correspondence
 

1942
2 9

Correspondence
 

April 26, 1943 letter mentions Dr. Pleasants' article on Beck, Groombridge, Guy and Winstanley being published in the Proceedings of the American Antiquarian Society.

1943
2 10

Correspondence
 

1944
3 1

Correspondence
 

May 18, 1945 letter from Pleasants describes Baltimore Museum of Art exhibition and catalogue, 250 Years of Painting in Maryland, and his contributions to both.

1945
3 2

Correspondence
 

1946
3 3

Correspondence
 

April 9, 1947 letters discusses photographing expedition to Baltimore, and the selection of paintings. In November 6, 1947 letter, Dr. Pleasants notes that Art in America will publish his paper on George William West.

1947
3 4

Correspondence
 

In January 5, 1948 letter, Dr. Pleasants refers to paper on St. Memin as a miniaturist that he is preparing for the Walpole Society Note Book. In October 18, 1948 letter, Pleasants refers to his visit to Henry F. Dupont at Winterthur, as well as attempts to see Joshua Johnson paintings in Wilmington. November 9, 1948 Library letter discusses photographs taken at Winterthur in 1947.

1948
3 5

Correspondence
 

1949
3 6

Correspondence
 

1950
3 7

Correspondence
 

June 19, 1951 Pleasants' letter to Katharine McCook Knox describes how he became interested in early American art, his areas of expertise, and how he mounts and classifies paintings.

1951
3 8

Correspondence
 

June 20, 1952 Library letter describes tour of Winterthur given by Mr. DuPont.

1952
3 9

Correspondence
 

1953
4 1

Correspondence
 

1954
4 2

Correspondence
 

1955
4 3

Correspondence
 

1956
4 4

Correspondence
 

Includes his August 24, 1957 obituary and correspondence with Dr. Pleasants' secretary, Mrs. Clyde (Margaret) Loose. In October 11, 1957 letter, Mrs. Loose notes that his collection will be moved to the Maryland Historical Society in November.

1957
4 5

Correspondence
 

Correspondence with Mrs. Clyde Loose and Mrs. Pleasants, concerning notes of Dr. Pleasants and his Memorial Exhibition at the Baltimore Museum of Art.

1958-1959

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Series II: Research Notes, 1931-1957
 

Biographical notes are primarily arranged alphabetically by subject name. Others are grouped by date of photographing expedition, owner, or painting location. Notes on miscellaneous subjects are arranged by previously assigned Library (FARL) or J. Hall Pleasants (JHP) numbers, or alphabetically by title. Library staff continued to update notes into the 1990s.

This series consists of carbon copies of Dr. Pleasants' original typed research notes on individual early Maryland paintings. Notes are organized in two groups: portraits and miscellaneous subjects. The notes contain biographies of painting subjects, artist names, owners' names, provenance information, descriptions of the paintings, reproductions, dates, sources of attributions, cross-references to other portraits and family members, genealogical charts, and exhibitions. Notes include notations of the Library's negative numbers (coded FARL) and J. Hall Pleasants' numbers (coded JHP), which are both referenced on photo mounts in the Library's Photoarchive.

Notes on miscellaneous subjects contain research on paintings of estates, landscapes, views of Baltimore, portraits of unidentified subjects, still lifes, street scenes, studies, and battle scenes. Artists mentioned frequently in the notes include John and Gustavus Hesselius, Thomas Sully, Charles Willson Peale, Carroll Kühn, Rembrandt Peale, Philip Tilyard, John Wesley Jarvis, St. Mémin, N. Calyo, Joshua Johnson [Johnston] and John Beale Bordley.

Portraits (including biographical information on portrait subjects)
 

Box Folder Date
4 6

Abell - Atkinson
 

1937-1957
4 7

Bailey - Black
 

1936-1956
4 8

Blackford - Boyd
 

1936-1954
4 9

Brady - Byrd
 

1937-1958
4 10

Cadmus - Carmichael
 

1937-1958
4 11

Carnan - Carroll
 

1937-1957
4 12

Carter - Charlton
 

1937-1957
5 1

Chase - Cockey
 

1937-1957
5 2

Cohen - Custis
 

1934-1957
5 3

Dandridge - Digges
 

1938-1957
5 4

Doane - Dyer
 

1940-1957
5 5

Earle - Evans
 

1936-1956
5 6

Faris - Frisby
 

1940-1956
5 7

Gaither - Glenn
 

1936-1957
5 8

Goddard - Gwynn
 

1937-1957
5 9

Hack - Heister
 

1931-1957
6 1

Hemsley - Hynson
 

1936-1957
6 2

Ingham - Irons
 

1949-1954
6 3

Jakes - Judah
 

1936-1957
6 4

Kaufman - Kent
 

1938-1956
6 5

Kerr - Krebs
 

1937-1954
6 6

Lapowinsa - Lincoln
 

1936-1957
6 7

Lindenberger - Lyne
 

1937-1951
6 8

Maccubbin - Mayer
 

1936-1957
6 9

McAllister - Milbanke
 

1936-1957
6 10

Miller - Myers
 

1936-1957
6 11

Neal - Nowan
 

1936-1957
7 1

O'Donnell - Otterbein
 

1938-1954
7 2

Paca - Pignatelli
 

1936-1956
7 3

Pinkney - Purviance
 

1936-1957
7 4

Raborg - Ridgeley
 

1936-1957
7 5

Riggs - Rodgers
 

1938-1955
7 6

Rogers - Rutter
 

1936-1952
7 7

Salmon - Shippen
 

1938-1957
7 8

Shure - Stewart
 

1936-1956
7 9

Stirling - Sydebotham
 

1936-1957
7 10

Talma - Tilghman
 

1936-1957
8 1

Tilyard - Tyson
 

1937-1956
8 2

Ulrich - Upton
 

1937-1956
8 3

Valentine - Voorhees
 

1937-1955
8 4

Waggaman - Webster
 

1937-1957
8 5

West - Wilmans
 

1936-1957
8 6

Wilson - Wright
 

1937-1957
8 7

Yeates - Young
 

1937-1956
8 8

Zinzendorf
 

1948

Paintings of Miscellaneous Subjects
 

Box Folder Date
8 9

JHP no. 1541-1929
 

1936-1957
8 10

JHP no. 1950-2653
 

1939-1955
8 11

JHP no. 2660-2800
 

1942-1953
8 12

JHP no. 2801-2889
 

1943-1955
8 13

JHP no. 2906-3198
 

1946-1957
9 1

JHP no. 3200-3469
 

1949-1951
9 2

JHP no. 3474-3652
 

1951-1956
9 3

JHP no. 3672-3824
 

1954-1957
9 4

Research incomplete - Library (FARL) no. 2205-50861
 

1924-1953
9 5

Research incomplete - Not Library negatives - Baltimore - Wellesley
 

1942-1958
9 6

Paintings of multiple subjects - Additional Notes
 

1949-1950
9 7

Photographs not in Library ("Photographs not wanted")
 

1940-1957

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Series III: Lists, 1924-1939
 

Arranged chronologically.

Contains lists compiled by both Dr. Pleasants and Library staff regarding paintings either located in Maryland or of Maryland subjects. The majority of the lists concern paintings that were photographed by the Frick Art Reference Library. Many of the paintings listed include preliminary notes on ownership, description, attribution, and biography.

Box Folder Date
10 1

Miniatures photographed by Library in Baltimore
 

1924 Dec.
10 2

Portraits photographed by Library in Maryland
 

Material stored in oversize flat box.

1925
10 3

Biographical notes on portraits owned in Annapolis, photographed by Library
 

1928 Oct.
10 4

Portraits of Maryland subjects owned in New York, Maine, Maryland, and Virginia
 

1932
10 5

Portraits in private collections, the Maryland Historical Society, and the Baltimore Museum of Art
 

1932
10 6-7

List of paintings photographed by Library - Baltimore and vicinity
 

Photostat with annotations and corrections by Dr. Pleasants.

1933 Dec.
10 8

List of paintings photographed by Library - Baltimore and vicinity
 

Copy 2.

10 9

Maryland miniatures in Washington exhibition (1925-1926)
 

Material stored in oversize flat box.

1936
10 10

List of paintings photographed by Library - Baltimore and vicinity
 

1938 April
10 11

List of paintings photographed by Library - Baltimore and vicinity
 

1939 April

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