Finding Aid for The Frick Collection Symposium on the History of Art Records, 1939-1982 TFC.0600.030

Summary Information
Historical Note
Scope and Content
Arrangement
Administrative Information
Controlled Access Headings
Collection Inventory: Symposia, 1940-1949; Symposia, 1951-1959; Symposia, 1961-1969; Symposia, 1971-1979; Symposia, 1980-1982; APPENDIX - List of Symposia Topics and Speakers, 1940-2014

Summary Information

Repository: The Frick Collection/Frick Art Reference Library Archives10 East 71st Street
New York, NY, 10021
archives@frick.org
© 2010 The Frick Collection. All rights reserved.
Creator: Frick Collection.
Title: The Frick Collection Symposium on the History of Art Records
ID: TFC.0600.030
Date: 1939-1982
Extent: 1.5 Linear feet (4 boxes)
Abstract: Since 1940, The Frick Collection and the New York University Institute of Fine Arts have jointly sponsored a Symposium on the History of Art for graduate students. Records of the Symposium, 1939-1982, contain correspondence, programs, invitations, press releases, work orders, opening remarks, and summaries of graduate student papers that document the founding, evolution, and administration of the Symposium program.

Preferred Citation

The Frick Collection Symposium on the History of Art Records. The Frick Collection/Frick Art Reference Library Archives.

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Historical Note

The Frick Collection, founded by Pittsburgh industrialist and art collector Henry Clay Frick (1849-1919), opened to the public in December 1935. Mr. Frick bequeathed his residence and art collection to establish a public gallery for the purpose of "encouraging and developing the study of fine arts."

The Frick Collection education program began in 1936 with a series of lectures. In an effort to broaden this program, The Frick Collection, in conjunction with the New York University Institute of Fine Arts, held its first Symposium on Art and Archaeology for graduate students on February 23, 1940, the first symposium of its kind to be held in the United States. The press release announcing the first Symposium referred to it as "a new experiment in art education," held to "provide graduate students with an opportunity to meet one another and compare varying approaches to the field of art in a scholarly and appreciative environment."

The idea of holding a symposium at which graduate students would present their papers was first suggested to Frederick Mortimer Clapp, The Frick Collection Director, by Prof. Charles Rufus Morey of Princeton University in October 1939. Dr. Clapp approached Prof. Walter W. S. Cook of New York University with the proposal of holding a joint symposium. Once the structure and participating institutions were agreed upon, invitations were sent to the heads of the art history graduate programs of five northeastern institutions. Princeton, Harvard, Yale, Columbia and New York Universities were asked to select a maximum of two graduate students each to present papers on topics of their choice, while Bryn Mawr was invited to select one student. Presentations were limited to twenty minutes each, with discussion to take place after each paper. The first Symposium was held jointly, with an afternoon session at The Frick Collection and an evening session at the New York University Institute of Fine Arts. While no formal invitations outside of the participating institutions were issued, interested faculty and graduate students from the area were welcomed to attend. In the second year, invitations were extended to the faculties of university art departments and the staffs of museums in the vicinity of New York.

The Symposium was suspended from 1942 to 1946, and was held solely at New York University in 1947 and 1948. The Symposium was sponsored by The Frick Collection in 1949, and thereafter the event was hosted alternately by The Frick Collection and the New York University Institute of Fine Arts. In 1952, the program's title was changed to the Symposium on the History of Art. In 1953, the University of Pennsylvania was invited to include one student speaker and has since remained among the regular roster of participating institutions. In 1969, the Symposium was lengthened to two days, with The Frick Collection and the New York University Institute of Fine Arts each hosting one day's events. While other universities had previously been invited on occasion to present papers when speaking slots were available, in 1969 the roster of participants officially expanded to include Brown University, the University of Delaware, Johns Hopkins University and Oberlin College.

In 1970, a rotational system was set up, with the original five participants maintaining their slots, while the State University of New York at Binghamton, Boston University, Brown University, the University of Delaware and Johns Hopkins University were to receive invitations every second or third year based on the size of their graduate program in art history. Rutgers University became a participant on a rotational basis in 1973. In 1979, the program was again expanded, allowing all five founding institutions to be represented by two speakers, and the others by one annually. The length of the papers was reduced from twenty to fifteen minutes to accommodate the additional presenters. The University of Delaware and Johns Hopkins University were no longer included, as they participated in the Mid Atlantic Symposium, established in the early 1970s. Although the date is not documented in these records, at some point all participating institutions were limited to one student speaker.

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Scope and Content

The records of The Frick Collection Symposium on Art History date from 1939 to 1982. Records document the founding, evolution, and administration of the graduate symposium program. The collection contains correspondence, programs, invitations, press releases, seating charts, work orders, opening remarks, and summaries of graduate student papers. From 1949-1969, files exist only for alternate years, when the Symposium was hosted by The Frick Collection.

The earliest files contain the most comprehensive documentation of the program. Only the files from 1940-1942 contain summaries of the papers presented. No copies of the graduate students' papers presented at the symposia are in the collection.

Correspondence concerns the selection of graduate students, biographical information on the presenters, their paper topics, the logistical planning of the Symposium lectures and luncheons, expenses, and discussions regarding which universities to include in the program. The records contain much less correspondence with participating institutions from 1969 on; references are made to the use of registration forms, but they are not in the files.

Correspondents, primarily Frick Collection staff, professors of participating universities and graduate student speakers, include Frederick Mortimer Clapp, Franklin M. Biebel, Harry D. M. Grier, Bernice Davidson, Walter W. S. Cook, Sumner McK. Crosby, William B. Dinsmoor, Charles Rufus Morey, Joseph C. Sloane, E. Baldwin Smith, Craig Hugh Smyth, and Rudolf Wittkower. The files also contain responses to invitations from Erwin Panofsky, Alfred Barr, Fiske Kimball, and Belle da Costa Greene.

Miscellaneous files generally contain printed programs, invitations, luncheon arrangements and, in the earliest files, opening remarks and summaries of the papers presented.

Also included in the collection is one file on the Middle Atlantic Symposium sponsored by the University of Maryland.

An appendix lists each paper topic, student speaker, and school affiliation, organized by year, from 1940-2014. Included are years the Symposium was held at the Institute of Fine Arts, which are otherwise not documented in these records. A schedule for the 1948 Symposium could not be located.

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Arrangement

Files are arranged chronologically by date of Symposium; subject files within each year are arranged alphabetically.

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Administrative Information

Access Restrictions

These records are open for research under the conditions of The Frick Collection/Frick Art Reference Library Archives access policy. Contact the Archives Department for further information at archives@frick.org.

Accruals Note

As the Symposium on the History of Art program is ongoing, additional files from 1983 on will be added to the collection in the future.

Processing Information

Arranged and described by Susan Chore, 2002, with funding from a Gladys Krieble Delmas Foundation Grant, 2001. An appendix listing each paper topic, student speaker, and school affiliation was created from information compiled by Frick Art Reference Library Administration intern Grace High in 2013.

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Controlled Access Headings

Corporate Name(s)

Frick Collection.
New York University. Institute of Fine Arts.

Personal Name(s)

Biebel, Franklin M. (Franklin Matthews)
Clapp, Frederick Mortimer, b. 1879.
Cook, Walter W. S.
Crosby, Sumner McK. (Sumner McKnight), 1909-1982.
Davidson, Bernice F.
Dinsmoor, William Bell, 1886-1973.
Grier, Harry D. M., 1914-1972.
Sloane, Joseph C.

Subject(s)

Art museums--Educational aspects.
Art--History--Congresses.
Art--Study and teaching.

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Collection Inventory

Symposium on Art and Archaeology, February 23, 1940
Box	Folder		Date
1	1	Bryn Mawr College Scope and Contents note Includes correspondence with Joseph C. Sloane, and Mary Shimer.	1939-1940
1	2	Columbia University Scope and Contents note Includes correspondence with William B. Dinsmoor, Norman A. Fedde, and Isabelle R. Kelly.	1939-1940
1	3	Harvard University Scope and Contents note Includes correspondence with Paul J. Sachs.	1939-1940
1	4	Miscellaneous Scope and Contents note Contains bios of the speakers, Frederick Mortimer Clapp's opening remarks at the Symposium, press release, summaries of the papers presented, correspondence, and program.	1939-1940
1	5	New York University Scope and Contents note Includes correspondence with Walter W. S. Cook, and Donald F. Brown.	1939-1940
1	6	Princeton University Scope and Contents note Includes correspondence with Charles Rufus Morey, Mr. J. R. Martin, and Mr. C. P. Parkhurst, Jr.	1939-1940
1	7	Yale University Scope and Contents note Includes correspondence with Everett Meeks, Sumner McK. Crosby, and Helen Mitchell.	1939-1940
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Symposium on Art and Archaeology, April 5, 1941
Box	Folder		Date
1	8	Bryn Mawr College Scope and Contents note Includes correspondence with Joseph C. Sloane, and Marianna Jenkins.	1940-1941
1	9	Columbia University Scope and Contents note Includes correspondence with William B. Dinsmoor, Morna E. Crawford, and Grace Spencer Person.	1940-1941
1	10	Harvard University Scope and Contents note Includes correspondence with Paul J. Sachs, Richard Edwards, and George Stephen Vickers.	1940-1941
1	11	Invitations to other museums and universities Scope and Contents note Includes responses from Morris Carter (Isabella Stewart Gardner Museum), Francis Henry Taylor (Metropolitan Museum of Art), Belle da Costa Greene (Morgan Library), Alfred Barr (Museum of Modern Art), Fiske Kimball (Philadelphia Museum of Art), and Franklin M. Biebel (Rutgers University).	1941
1	12	Miscellaneous Scope and Contents note Contains opening remarks of Frederick Mortimer Clapp, mailing to The Frick Collection Trustees, press release, summaries of papers presented, program schedule, ticket, correspondence regarding luncheon arrangements, and miscellaneous correspondence.	1940-1941
1	13	New York University Scope and Contents note Includes correspondence with Walter W. S. Cook, Harry Bober, and Harris King Prior.	1940-1941
1	14	Princeton University Scope and Contents note Includes correspondence with Charles Rufus Morey, E. Baldwin Smith, George R. Collins, and George Bishop Tatum.	1940-1941
1	15	Publicity	1940-1941
1	16	Yale University Scope and Contents note Includes correspondence with Sumner McK. Crosby, Everett V. Meeks, David R. Coffin, and Florence B. Wiggin.	1940-1941
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Symposium on Art and Archaeology, March 28, 1942
Box	Folder		Date
1	17	Bryn Mawr College Scope and Contents note Includes correspondence with Joseph C. Sloan.	1941-1942
1	18	Columbia University Scope and Contents note Includes correspondence with William B. Dinsmoor, Janet A. Hawke, and Margaret Koons.	1941-1942
1	19	Harvard University Scope and Contents note Includes correspondence with Paul J. Sachs, Martin S. Soria, and Samuel M. Green.	1941-1942
1	20	Invitations to other museums and universities	1942
1	21	Miscellaneous Scope and Contents note Contains printed program, invitation, mailing to The Frick Collection Trustees, correspondence related to luncheon arrangements, summaries of the papers presented, invitation list, and memo discussing possible changes to the Symposium.	1941-1942
1	22	New York University Scope and Contents note Includes correspondence with Walter W. S. Cook, John Phillips Coolidge, Esther Gordon, and Dr. Edgar Wind.	1941-1942
1	23	Princeton University Scope and Contents note Includes correspondence with Donald Drew Egbert, Charles Rufus Morey, E. Baldwin Smith, Patrick Joseph Kelleher, and Stephen George Xydis.	1941-1942
1	24	Yale University Scope and Contents note Includes correspondence with George Heard Hamilton, Frederick B. Hyde, Ethlyne Elizabeth Jackson, and Everett V. Meeks.	1941-1942
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Symposium on Art and Archaeology, April 2, 1949
Box	Folder		Date
1	25	Bryn Mawr College Scope and Contents note Includes correspondence with Joseph C. Sloane, and Alexander C. Soper.	1949
1	26	Columbia University Scope and Contents note Includes correspondence with William B. Dinsmoor, Peggy A. Erskine, and Herschel B. Chipp.	1949
1	27	Harvard University Scope and Contents note Includes correspondence with Jakob Rosenberg, Frederick B. Deknatel, Richard F. Brown, and Ushers Parsons Coolidge.	1949
1	28	Miscellaneous Scope and Contents note Contains Frederick Mortimer Clapp's opening remarks, printed programs, invitations, list of expenses, miscellaneous correspondence, mailing to The Frick Collection Trustees, and correspondence re luncheon plans.	1949
1	29	New York University Scope and Contents note Includes correspondence with Walter W. S. Cook, Pamela Askew, Lauder Greenway, Jean Johnson, and Molly Leeb.	1948-1949
1	30	Princeton University Scope and Contents note Includes correspondence with E. Baldwin Smith, and Lorenz E. A. Eitner.	1949
1	31	Publicity	1949
1	32	Yale University Scope and Contents note Includes correspondence with Sumner McK. Crosby, Charles H. Sawyer, Robert Branner, and John W. Hatch.	1949
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Symposium on Art and Archaeology, April 7, 1951
Box	Folder		Date
1	33	Bryn Mawr College Scope and Contents note Includes correspondence with Lucy Rabin, and Joseph C. Sloane.	1951
1	34	Columbia University Scope and Contents note Includes correspondence with William B. Dinsmoor, Albert Elsen, and Irwin Scollar.	1951
1	35	Harvard University Scope and Contents note Includes correspondence with Cornelius C. Vermeule III, Michael Sullivan, and Charles L. Kuhn.	1951
1	36	Miscellaneous Scope and Contents note Contains printed programs, invitations, correspondence re luncheon arrangements, seating chart, expenses, and responses to invitations.	1951
1	37	New York University Scope and Contents note Includes correspondence with Jacob Landy, Walter W. S. Cook, Robert Koch, and Paul Drechsler.	1950-1951
1	38	Princeton University Scope and Contents note Includes correspondence with E. Baldwin Smith.	1951
1	39	Publicity	1951
1	40	University of Pennsylvania Scope and Contents note Includes correspondence with David M. Robb, and Kenneth M. Wilson.	1951
1	41	Yale University Scope and Contents note Includes correspondence with R. H. Janson, Donald Robertson, Sumner McK. Crosby, and Charles H. Sawyer.	1951
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Symposium on the History of Art, April 11, 1953
Box	Folder		Date
2	1	Bryn Mawr Scope and Contents note Includes correspondence with Alexander Soper, and Marianne Winter Martin.	1953
2	2	Columbia University Scope and Contents note Includes correspondence with William B. Dinsmoor, Barbara Sharpe Graham, and Karl R. Lunde.	1953
2	3	Harvard University - Radcliffe College Scope and Contents note Includes correspondence with Charles L. Kuhn, Donald E. Gordon, and Christine Mitchell.	1952-1953
2	4	Miscellaneous Scope and Contents note Contains printed program, invitations, responses to invitations, correspondence regarding luncheon planning, mailing to The Frick Collection Trustees, luncheon seating chart, and expenses.	1953
2	5	New York University Scope and Contents note Includes correspondence with Craig Hugh Smyth, Iris G. Hofmeister, and James H. Stubblebine.	1953
2	6	Princeton University Scope and Contents note Includes February 19, 1953 letter from E. Baldwin Smith outlining his criticism of previous year's Symposium at New York University and problems with the Symposium in general.	1953
2	7	University of Pennsylvania Scope and Contents note Includes correspondence with David M. Robb, and William J. Murtaugh.	1953
2	8	Wellesley College Scope and Contents note Includes correspondence with Bernard C. Heyl.	1953
2	9	Yale University Scope and Contents note Includes correspondence with Sumner McK. Crosby, John D. Hoag, and Rosalind Brueck Spielvogel. Sumner McK. Crosby letter dated December 23, 1952 details his enthusiasm for the Symposium.	1952-1953
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Symposium on the History of Art, April 16, 1955
Box	Folder		Date
2	10	Bryn Mawr College Scope and Contents note Includes correspondence with Joseph C. Sloane.	1955
2	11	Columbia University Scope and Contents note Includes correspondence with Jane Rosenthal, and Emerson H. Swift.	1955
2	12	Harvard University Scope and Contents note Includes correspondence with Leonard Opdycke, Roy Fisher, and Colin Eisler.	1955
2	13	Luncheon Scope and Contents note Contains seating chart, correspondence regarding luncheon arrangements, and responses to invitations, including a letter of regret from Erwin Panofsky.	1955
2	14	Miscellaneous Scope and Contents note Contains printed programs, invitations, and a publicity letter to College Art Journal.	1955
2	15	New York University Scope and Contents note Includes correspondence with Mary Lee Thompson, Craig Hugh Smyth, Olga Paris, and Elaine Loeffler.	1955
2	16	Oberlin College Scope and Contents note Includes correspondence with Charles Parkhurst.	1955
2	17	Princeton University Scope and Contents note Includes correspondence with Albert M. Friend, Jr., and George Galavaris.	1955
2	18	University of Pennsylvania Scope and Contents note Includes correspondence with David M. Robb, and Harold Cooledge.	1955
2	19	Yale University Scope and Contents note Includes correspondence with George Heard Hamilton, George Kubler, Marian Card, and Robert L. Herbert.	1955
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Symposium on the History of Art, April 6, 1957
Box	Folder		Date
2	20	Bryn Mawr College Scope and Contents note Includes correspondence with Joseph C. Sloane.	1957
2	21	Columbia University Scope and Contents note Includes correspondence with Rudolf Wittkower.	1957
2	22	Harvard University Scope and Contents note Includes correspondence with Leonard Opdycke, and Olga Paris.	1957
2	23	Luncheon Scope and Contents note Contains responses to invitations, seating chart, invitation list, correspondence re luncheon arrangements, and miscellaneous correspondence. Includes acceptance letters from Edgar Munhall and Erwin Panofsky.	1957
2	24	Miscellaneous Scope and Contents note Contains invitations and printed programs.	1957
2	25	New York University	1957
2	26	Princeton University Scope and Contents note Includes correspondence with Rensselaer W. Lee.	1957
2	27	University of Pennsylvania Scope and Contents note Includes correspondence with Bishop Tatum.	1957
2	28	Yale University Scope and Contents note Includes correspondence with Charles Seymour, Jr.	1957
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Symposium on the History of Art, March 21, 1959
Box	Folder		Date
2	29	Bryn Mawr College Scope and Contents note Includes correspondence with James Fowle.	1959
2	30	Columbia University Scope and Contents note Includes correspondence with Rudolf Wittkower.	1959
2	31	Harvard University Scope and Contents note Includes correspondence with Leonard Opdycke.	1959
2	32	List of general invitations sent	1959
2	33	Luncheon Scope and Contents note Contains invitation list, responses to invitations, seating chart, correspondence re luncheon arrangements, and miscellaneous correspondence. Includes regrets from Erwin Panofsky and Millard Meiss.	1959
2	34	Miscellaneous Scope and Contents note Contains invitations, printed programs, and a memo re lighting.	1959
2	35	New York University	1959
2	36	Princeton University Scope and Contents note Includes correspondence with Rensselaer W. Lee.	1959
2	37	University of Pennsylvania Scope and Contents note Includes correspondence with David M. Robb.	1959
2	38	Yale University Scope and Contents note Includes correspondence with George Kubler.	1959
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Symposium on the History of Art, April 8, 1961
Box	Folder		Date
2	39	Brown University Scope and Contents note Includes correspondence with Francois Bucher.	1961
2	40	Bryn Mawr College Scope and Contents note Includes correspondence with James Fowle.	1961
2	41	Columbia University Scope and Contents note Includes correspondence with Rudolf Wittkower.	1961
2	42	General invitations sent	1961
2	43	Harvard University Scope and Contents note Includes correspondence with Seymour Slive.	1961
2	44	Luncheon Scope and Contents note Contains correspondence re luncheon arrangements, and responses to invitations.	1961
2	45	Miscellaneous Scope and Contents note Contains printed programs and invitations, a summary sheet of past symposia with short history, and memos re logistical arrangements.	1961
2	46	New York University Scope and Contents note Includes correspondence with Craig Hugh Smyth.	1961
2	47	Princeton University Scope and Contents note Includes correspondence with Rennselaer W. Lee.	1961
2	48	University of Delaware Scope and Contents note Includes correspondence with Albert S. Roe.	1961
2	49	University of Pennsylvania Scope and Contents note Includes correspondence with Frederick Hartt.	1961
2	50	Yale University Scope and Contents note Includes correspondence with George A. Kubler, and George Heard Hamilton.	1961
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Symposium on the History of Art, March 30, 1963
Box	Folder		Date
2	51	Bryn Mawr College Scope and Contents note Includes correspondence with James Fowle.	1963
2	52	Columbia University Scope and Contents note Includes correspondence with Rudolf Wittkower.	1963
2	53	Harvard University	1963
2	54	Luncheon Scope and Contents note Contains invitation list, letters, and responses to invitations.	1963
2	55	Miscellaneous Scope and Contents note Contains printed programs, and memos re arrangements.	1963
3	1	New York University	1963
3	2	Princeton University Scope and Contents note Includes correspondence with Rensselaer W. Lee.	1963
3	3	University of Pennsylvania Scope and Contents note Includes correspondence with Frederick Hartt.	1963
3	4	Yale University Scope and Contents note Includes correspondence with Sumner McK. Crosby.	1963
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Symposium on the History of Art, April 10, 1965
Box	Folder		Date
3	5	Bryn Mawr College	1965
3	6	Columbia University Scope and Contents note Includes correspondence with Rudolf Wittkower.	1965
3	7	Harvard University Scope and Contents note Includes correspondence with Seymour Slive.	1965
3	8	Luncheon Scope and Contents note Contains invitation lists, invitation letters, regrets, correspondence re arrangements for the luncheon, and miscellaneous correspondence. Includes letter of regret from Erwin Panofsky.	1965
3	9	Miscellaneous Scope and Contents note Contains printed programs, memos re logistical arrangements, and correspondence.	1965
3	10	New York University Scope and Contents note Includes correspondence with William B. Jordan, Jr., and Craig Hugh Smyth.	1965
3	11	Princeton University Scope and Contents note Includes correspondence with David R. Coffin.	1965
3	12	University of Pennsylvania Scope and Contents note Includes correspondence with Frederick Hartt.	1965
3	13	Yale University Scope and Contents note Includes correspondence with Sumner McK. Crosby.	1965
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Symposium on the History of Art, April 15, 1967
Box	Folder		Date
3	14	Bryn Mawr College Scope and Contents note Includes correspondence with Charles Mitchell.	1967
3	15	Columbia University Scope and Contents note Includes correspondence with Rudolf Wittkower.	1967
3	16	Harvard University Scope and Contents note Includes correspondence with James S. Ackerman.	1967
3	17	Luncheon Scope and Contents note Contains invitation letter, responses, and miscellaneous correspondence. Includes letter of regret from Erwin Panofsky.	1967
3	18	Miscellaneous	1967
3	19	New York University	1967
3	20	Princeton University Scope and Contents note Includes correspondence with David R. Coffin.	1967
3	21	Trustees	1967
3	22	University of Pennsylvania Scope and Contents note Includes correspondence with John W. McCoubrey.	1967
3	23	Yale University	1967
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Symposium on the History of Art, April 25-26, 1969
Box	Folder		Date
3	24	Brown University	1969
3	25	Bryn Mawr University	1969
3	26	Columbia University	1969
3	27	University of Delaware	1968-1969
3	28	Expenses; work orders	1969
3	29	Harvard University	1969
3	30	Johns Hopkins University	1969
3	31	Miscellaneous Scope and Contents note Contains printed programs, RSVP cards, and list of institutions participating. Also includes correspondence related to a New Art Association handbill distributed at the Symposium criticizing the structure of the Symposium, including the educational institutions selected, topics and lack of discussion forums. Handbill not in file.	1969-1970
3	32	New York University	1969
3	33	Oberlin College	1969
3	34	University of Pennsylvania	1969
3	35	Princeton University	1969
3	36	Reception - entertainment Scope and Contents note Contains contract with Albert Fuller, harpsichordist.	1969-1970
3	37	Yale University	1969
3	38	Work Lists and Memoranda	1970
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Symposium on the History of Art, April 23-24, 1971
Box	Folder		Date
3	39	Middle Atlantic Symposium Sponsored by University of Maryland Scope and Contents note Contains summary of proposed symposium.	1971
3	40	Boston University	1970-1971
3	41	Brown University	1970-1971
3	42	Bryn Mawr College	1970-1971
3	43	Columbia University	1970-1971
3	44	University of Delaware	1970-1971
3	45	Expenses	1970-1971
3	46	Harvard University	1970-1971
3	47	Johns Hopkins University	1971
3	48	Meeting of Department Chairmen	1971
3	49	Miscellaneous	1971
3	50	New York University	1970-1971
3	51	University of Pennsylvania	1970-1971
3	52	Princeton University	1970-1971
3	53	Reception - Entertainment	1971
3	54	State University of New York at Binghamton	1970-1971
3	55	Yale University	1970-1971
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Symposium on the History of Art, April 28-29, 1972
Box	Folder		Date
3	56	Concert by Mercadal and Stern - attendance Scope and Contents note Sunday, April 30, 1972. Special concert planned for Symposium weekend, with half of tickets reserved for participants. Contains invitations, letters and typed program.	1972
3	57	Expenses; work orders	1972
3	58	Miscellaneous Scope and Contents note Contains printed programs, invitations to fellows, and correspondence re arrangements and participation.	1971-1972
3	59	Reception - entertainment	1972
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Symposium on the History of Art, April 27-28, 1973
Box	Folder		Date
3	60	Boston University	1972
3	61	Brown University	1972
3	62	Bryn Mawr College	1972-1973
3	63	Columbia University	1972-1973
3	64	University of Delaware	1972-1973
3	65	Harvard University	1972-1973
3	66	Johns Hopkins University	1972-1973
3	67	Miscellaneous Scope and Contents note Contains printed program, and miscellaneous correspondence.	1972-1973
4	1	New York University - Institute of Fine Arts	1972-1973
4	2	University of Pennsylvania	1972-1973
4	3	Princeton University	1972-1973
4	4	Reception	1972
4	5	Rutgers University	1973
4	6	Work orders; expenses	1973
4	7	Yale University	1972-1973
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Symposium on the History of Art, April 19-20, 1974
Box	Folder		Date
4	8	Miscellaneous Scope and Contents note Contains printed program, and miscellaneous correspondence.	1974
4	9	Reception	1974
4	10	Work orders; expenses	1974
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Symposium on the History of Art, April 18-19, 1975
Box	Folder		Date
4	11	Boston University	1974-1975
4	12	Brown University Scope and Contents note Includes letter explaining why Brown rarely participates in Symposium and considers it of little value to its graduate students.	1974
4	13	Bryn Mawr College	1974
4	14	Columbia University	1974-1975
4	15	University of Delaware	1975
4	16	Harvard University	1974-1975
4	17	Miscellaneous Scope and Contents note Contains printed programs, and miscellaneous correspondence.	1975
4	18	University of Pennsylvania	1974-1975
4	19	Princeton University	1974-1975
4	20	Reception	1975
4	21	Work orders; expenses	1975
4	22	Yale University	1974-1975
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Symposium on the History of Art, April 9-10, 1976
Box	Folder		Date
4	23	Miscellaneous Scope and Contents note Contains printed programs, work orders, and miscellaneous correspondence.	1976
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Symposium on the History of Art, April 22-23, 1977
Box	Folder		Date
4	24	Education Program for Graduate Students Scope and Contents note Contains printed programs, expenses, and miscellaneous correspondence.	1977
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Symposium on the History of Art, April 14-15, 1978
Box	Folder		Date
4	25	Education Program for Graduate Students Scope and Contents note Contains printed programs, letter discussing changes to Institute, work orders, and miscellaneous correspondence.	1978
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Symposium on the History of Art, April 20-21, 1979
Box	Folder		Date
4	26	Education Program for Graduate Students Scope and Contents note Contains printed programs, invitation letters, expenses, work orders, and letters to participating institutions and student speakers.	1978-1979
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Symposium on the History of Art, April 11-12, 1980
Box	Folder		Date
4	27	Education Program for Graduate Students Scope and Contents note Contains printed programs, and miscellaneous correspondence.	1980
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Symposium on the History of Art, April 3-4, 1981
Box	Folder		Date
4	28	Education Program for Graduate Students Scope and Contents note Contains printed programs, letters to student speakers, expenses, work orders, and miscellaneous correspondence.	1981
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Symposium on the History of Art, April 2-3, 1982
Box	Folder		Date
4	29	Education Program for Graduate Students (Symposium) Scope and Contents note Contains photocopy of printed program, work orders, expenses, and miscellaneous correspondence.	1982
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APPENDIX - List of Symposia Topics and Speakers, 1940-2014
Symposium on Art and Archaeology, February 23, 1940
"The Arcuated Lintel and its Symbolic Interpretation in Late Antique Art," Donald Brown, New York University
"The Ciborium Columns of San Marco: the Anterior Pair," Charles P. Parkhurst, Jr., Princeton University
"The Ciborium Columns of San Marco: The Posterior Pair," John R. Martin, Princeton University
"A Problem in Spanish Romanesque Sculpture: the Date of Three Carved Columns from the Monastery of San Pelayo de Antealares in Santiago di Compostela," W.R. Tyler, Harvard University
"Tool Technique in Romanesque Sculpture of the Pyrenees Region," Norman A. Fedde, Columbia University
"The Influence of Architecture on Medieval Metal Reliquaries," Helen Mitchell, Yale University
"Two Pairs of Painted Jaina Manuscript Covers of the Fourteenth Century," Mary H. Shimer, Bryn Mawr College
"The So-Called 'Achaean' Architecture," Isabelle R. Kelly, Columbia University
"English Studies of Medieval Architecture Between 1750 and 1890," Richard K. Newman, Yale University
"The Graphic Art of Giulio Campagnola," James S. Kronthal, Harvard University
"The Stylistic Origins of Gericault's Raft of the Medusa," John Knowlton, New York University
Symposium on Art and Archaeology, April 5, 1941
"A Possible Egyptian Origin of the Minoan 'Proto-Doric' Capital," George R. Collins, Princeton University
"The Archaic Circular Building at Delphi," Grace Spencer Person, Columbia University
"The Continuous Method of Narration in Pompeian Wall Painting," David R. Coffin, Yale University
"Chartres: The Burial of Christ," George Stephen Vickers, Harvard University
"The Early Development of Franciscan Legend in Central Italian Painting," Richard Edwards, Harvard University
"The State Portrait and its Relation to Sixteenth Century Aesthetics," Marianna Jenkins, Bryn Mawr College
"The Tempietto Page in East Christian Manuscripts," Harris K. Prior, New York University
"The Enamels of the Pala d'Oro," George B. Tatum, Princeton University
"The Lower Cover of the Morgan Lindau Manuscript," Morna Eithne Crawford, Columbia University
"A New Attribution for the Brussels Apocalypse (MS II, 282, Bib. Royale de Belgique)," Harry Bober, New York University
"The Valois and the School of Paris in the Late Fourteenth Century," Florence B. Wiggin, Yale University
Symposium on Art and Archaeology, March 28, 1942
"Some Ptolemaic Portraits," Janet Anderson Hawke, Columbia University
"The Art of Rome in the Time of Paschal I," Patrick Joseph Kelleher, Princeton University
"The Iconography of Saint Savin," Margaret Koons, Columbia University
"Structural and Iconographical Aspects of the Iconostasis of Hagia Sophia, as Described by Paulus Silentiarius," Stephen George Xydis, Princeton University
"The Jarves Collection and Far Eastern Textiles," Ethlyne Elizabeth Jackson, Yale University
"The Architects of the Villa Julia," John Phillips Coolidge, New York University
"The Iconography of El Greco's Apostolados," Martin S. Soria, Harvard University
"Four Undated Engraved Portraits by Robert Nanteuil in the Edward B. Greene Collection at Yale," Frederick B. Hyde, Yale University
"The Ultra-baroque in Mexico and Its European Origins," Samuel M. Green, Harvard University
"French Illustrations of English Books, 1785-1810," Esther Gordon, New York University
Symposium on Art and Archaeology, April 4, 1947
"The Theban Sphinx," Nachteld Johanna Mellink, Bryn Mawr College
"The Gorgo-Medusa in Archaic Greek Art," Thalia Phillies, Columbia University
"The Stylistic Evolution of Ptolemaic Coins," Helen Wade, Yale University
"The Date of the Pin Yang Cave at Lung Men," Barbara Crawford, Bryn Mawr College
"The Thick Wall: An Investigation into the Development of the Gothic Wall," Vincent Scully, Yale University
"Architectural Theory at the Cathedral of Milan," James S. Ackerman, New York University
"Plateau Compositions in Florentine Painting," Peggy Erskine, Columbia University
"The Meaning of Architecture in Poussin's Early Paintings," Jane Costello, New York University
"The American Sculptor: John Quincy Adams Ward," Thomas L. Read, Harvard University
"Perspective in Van Gogh," Joy C. Levy, Harvard University
Symposium on Art and Archaeology, April 2, 1949
"The Problem of the Lysippean Group," H. Lester Cooke, Jr., Princeton University
"Roman Portraits," Molly Leeb, New York University
"Iconographic Problems in Early Chinese Sculpture," Usher P. Coolidge, Harvard University
"Merovingian Art at Luxeuil," Robert Branner, Yale University
"Function of Space in Giotto," Herschel B. Chipp, Columbia University
"A Reconstruction of the Dragons' Scroll in the Boston Museum of Fine Arts," John W. Hatch, Yale University
" A Flagellation by Mariotto di Nardo and Some Related Panels," Marvin J. Eisenberg, Princeton University
"Relation of Bernini's Architecture to Architecture of the High Renaissance and to Michelangelo," Pamela Askew, New York University
"Mannerism and Modern Painting," Peggy Erskine, Columbia University
"Some Observations on the Technique of Camille Pissarro," Richard F. Brown, Harvard University
Symposium on Art and Archaeology, April 1, 1950
"The Northern Origins of Sassanian Metalwork," John F. Haskins, New York University
"Alberti's Treatise on Painting in Relation to Fifteenth Century Italian Painting," John Pancoast, Yale University
"The Drawings of Michelangelo's Youth," Caroline Feudale, New York University
"Titian and the Antique," Hugh Broadley, New York University
"The Pennsylvania Hospital in Philadelphia," Norman Wright, University of Pennsylvania
"Delacroix Reconsidered," Geraldine Pelles, Columbia University
"A Basic Kinship Between Ingres and Delacroix," Corlette Rossiter, Bryn Mawr College
"Sidelights on Gericault's Raft of the Medusa," James W. Fowle, Harvard University
"The Genesis of Toulouse Lautrec's Au Moulin Rouge," Lincoln F. Johnson, Harvard University
"The Relation of Cubist Space to Cubist and Constructivist Sculpture," Robert Rosenblum, Yale University
"Constantin Brancusi," Robert F. Reidd, Columbia University
Symposium on Art and Archaeology, April 7, 1951
"Chariot Groups in Greek Art in the Late Fifth Century B.C.," Cornelius Vermeule, Harvard University
"Plotinus and the Styles of the Late Antique," Irwin Scollar, Columbia University
"Art in the Chinese Renaissance," D.M. Sullivan, Harvard University
"The Origin of Some Imported Indian Bronzes: Amaravati or Ceylon," Jane M. Tilley, New York University
"The Dating of the Codex Borbonicus," Donald Robertson, Yale University
"The Ox and the Ass in Representations of the Nativity," Thomas J. McCormick, Jr., Princeton University
"Stewart and Revett - Their Interpretation of Greek Architecture," Jacob Landy, New York University
"Trinity Church on the New Haven Green," R.H. Janson, Yale University
"The First Competition for the Centennial Exposition," Kenneth Wilson, University of Pennsylvania
"The Architecture of the Gates of Hell of Rodin," Albert E. Elsen, Columbia University
"Seurat: Scientist and Romantic," Lucy F. Rabin, Bryn Mawr College
Symposium on the History of Art, March 29, 1952
"The Evolution of the St. Sebastian Martyrdom Theme," Irving L. Zupnick, Columbia University
"Bernini Bozzetti," Irving Lavin, Harvard University
"House Planning of the Picturesque Period: 1790-1840," Robert W. Duemling, Yale University
"Laurel Hill Cemetery: A Study in Picturesque Delight," Tracey Atkinson, University of Pennsylvania
"The Sixteenth Century Frontispiece as a Source of Ornament," Sam Blaisdell, New York University
"The Origin of the Rose-Window," Helen J. Dow, Bryn Mawr College
"An Attitude Toward Primitive Art," John C. Galloway, Jr., Columbia University
"Three Alabaster Reliefs in American Collections," Ellen L. Gutsche, Yale University
"The Style of Fan K'uan," Robert Bradshaw Hawkins, Princeton University
"Drawings Attributed to Correggio in the Metropolitan Museum of Art," Charlotte Heaton-Sessions, New York University
"Some Copies of Hellenistic Sculpture from Antioch-on-the-Orontes," Dericksen M. Brinkerhoff, Harvard University
"Gauguin," Henri Dorra, Student Fellow, Metropolitan Museum of Art
Symposium on the History of Art, April 11, 1953
"A Stylistic Problem in Greek Archaistic Reliefs," Christine Mitchell, Radcliffe College
"Medieval Art of Norway," Karl R. Lunde, Columbia University
"Studies in Tiahuanaco Style, Central Andean Region," Rosalind Brueck Spielvogel, Yale University
"Hell as Depicted in Carolingian Art," Barbara Sharpe Graham, Columbia University
"Antique Elements in the Work of Ambrogio Lorenzetti," Donald E. Gordon, Harvard University
"Development of the Throne in Ducento Tuscan Painting," James Stubblebine, New York University
"Bellini and the Antique, Study of a Drawing in the Paris Sketchbook," John D. Hoag, Yale University
"Jacopino del Conte," Iris Hofmeister, New York University
"Germanic Architecture of the Eighteenth Century in Pennsylvania," William J. Murtagh, University of Pennsylvania
"Mondrian's Composition," Marianne Winter Martin, Bryn Mawr College
Symposium on the History of Art, April 10, 1954
"The Sources of Robert Adams' Decorative Vocabulary," Milton L. Lewine, Columbia University
"Marcantonio Raimondi and the Drawings of his Contemporaries," Bernice F. Davidson, Radcliffe College
"The Temple on Charlemagne's Imperial Coins: An Aspect of the Carolingian Revival," Joachim Gaehde, New York University
"The Calendar Landscapes of the Trés Riches Heures and their Position within the Tradition of the Labors of the Months," Robert Mark Harris, Princeton University
"Narrative Order in Romanesque Sculpture," Ilene Haering, Columbia University
"Primary and Cultivated Form - A Concept Applied to Chinese Painting," Nelson I. Wu, Yale University
"Brunelleschi's Use of Proportion in the Pazzi Chapel," Dorothea Nyberg, New York University
"A Holy Kinship by Geertgen tot Sint Jans," Jim Edward Snyder, Princeton University
"Sources of Frank Furness' Architectural Style," David Crownover, University of Pennsylvania
"Van Brunt and Viollet-le-Duc," John M. Jacobus, Yale University
"The Originality of Manet as a Draughtsman," Alain W. DeLeiris, Harvard University
Symposium on the History of Art, April 16, 1955
"A Roman Biographical Sarcophagus Famous Since the Renaissance," Elaine Loeffler, New York University
"The Cleansing of the Temple In the Gospels of Mathilda, Countess of Tuscany," Robert H. Rough, Columbia University
"Problems in the Iconography of the Dormition of the Virgin," George Galavaris, Princeton University
"A Note on Giotto: Assisi, Padua, and the Boy in the Tree," M. Roy Fisher, Harvard University
"Pietro da Cortona's Ornament and the Building of S. Carlo and S. Ambrogio in Rome," Olga Paris, New York University
"Pyramids in Seventeenth Century New England," Marian Card, Yale University
"Piero di Cosimo's Perseus and Andromeda Cycle," Harold Cooledge, University of Pennsylvania
"The Duvet Apocalypse," Colin Eisler, Harvard University
"Some Comments on the Theories of Roger de Piles," Jane E. Rosenthal, Columbia University
"Georges Seurat and the Pre-Impressionist Tradition," Robert L. Herbert, Yale University
Symposium on the History of Art, April 7, 1956
"Maro: A Painted Banner from New Guinea," Douglas F. Fraser, Columbia University
"The Dipylon Ivories and Related Figurines," David Sellin, University of Pennsylvania
"The Medieval Glass Painter," Jane Hayward, Yale University
"Some Insular Elements in Mozarabic Art," Jacques Guilmain, Columbia University
"A Reconstructed Madonna by Fra Angelico and Some New Evidence for the Chronology of His Work," Carmen Gómez-Moreno, Radcliffe College
"'Questa porzione sara modulo a tutto l'edifizio' (Architectural Theory of Francesco di Giorgio)," Henry A. Millon, Harvard University
"A Sixteenth Century Bozzetto in the Victoria and Albert Museum," Rosalind Grippi, New York University
"Some Aspects of Caravaggio's Use of Light," Louis Hawes, Jr., Princeton University
"Tiepolo Drawings in the Princeton Museum," George P. Mras, Princeton University
"1848: The Revolution in Art Theory," Linda Nochlin, New York University
"The Philadelphia Row House," William Murtagh, University of Pennsylvania
"The Rockefeller Building by Knox and Elliot: A Document of the Influence of Louis Sullivan in Cleveland, Ohio," Ralph T. Coe, Yale University
Symposium on the History of Art, April 6, 1957
"The 'Elephant Wall' of the Ruanveli Dagoba at Anuradhapura," Diran K. Dohanian, Harvard University
"Greek Deities in the Buddhist Art of India," Eileen Roberts, Bryn Mawr College
"The Time Scope of the Ara Pacis," Richard Brilliant, Yale University
"Some Drawings in an Anglo-Saxon Psalter in Paris," Robert Mark Harris, Princeton University
"On An Early Type of Coronation of the Virgin," Jane Rosenthal, Columbia University
"Buontalenti's Grotto in the Boboli Gardens," Webster Smith, New York University
"The Saint in the Woodland: Venice and an Early Picture of Annibale Carracci," A. Richard Turner, Princeton University
"Watteau's Venus Statue," Edgar J. Munhall, New York University
"Two Cézanne Drawings," Theodore F. Reff, Harvard University
"Titian Ramsay Peale: Artist-Explorer," Jesse Poesch, University of Pennsylvania
"Price and Lorillard at Tuxedo," Samuel Graybill, Jr., Yale University
"Meaning and Form in Ibo Tribal Masks of Nigeria," Joan Reynolds, Columbia University
Symposium on the History of Art, March 29, 1958
"The Nyphaeum of Alexander Severus," Norman Neuerburg, New York University
"A Reappraisal of the Boston Museum's Duccio," Renée M. Arb, Harvard University
"The Sculptors of the Porta della Mandorla, 1391-1400," Mary Margaret Collier, Yale University
"A Double Portrait by the Frankfort Master: Its Relation to Preexisting Tradition," Jane C. Hutchison, Oberlin College
"Michelangelo's Drawings for Cavalieri," Baruch D. Kirschenbaum, Harvard University
"Annibale Carracci and the Antique," Thomas P.F. Hoving, Princeton University
"Charles le Brun's 'Triumphs of Alexander,'" Donald Posner, New York University
"Philip Vinckeboons and the Anglo-Dutch Style of Architecture," Nancy Halverson Schless, University of Pennsylvania
"The English Farmhouse: A Challenge to Renaissance Architectural Theory," Eileen Spiegel, Columbia University
"Charles Honoré Lannuier, French Ebéniste in America," Lorraine Waxman, University of Delaware
"Courbet's 'Chasseur' of 1866-1867," William M. Kane, Yale University
"The Caricatures of Puvis de Chavannes," Carl R. Baldwin, Columbia University
Symposium on the History of Art, March 21, 1959
"International Style of the Second Millennium B.C.," Donald P. Hansen, Harvard University
"Attic 'Bilingual' Vases," Spiro Kostof, Yale University
"The Western Element in the Schatzkammer Gospel Book," Carol Wishy, Columbia University
"Roger van der Weyden's St. Luke Painting the Virgin," Diane M. Kelder, Bryn Mawr College
"The Iconographic Sources of Giovanni di Paolo's Expulsion from Paradise," Laszlo Baranszky, New York University
"Porcellio's Ad Immortalitatem Isaiae Pisani," Mary Carol Davison, Yale University
"A Mid-Sixteenth Century Sketchbook of Girolamo da Carpi," Norman W. Canedy, Columbia University
"Agostino Carracci and Aldrovandi," David L. Shirey, Princeton University
"Speculations on Trent and Jesuit Architecture," Myron Laskin, Jr., New York University
"Whistler Rejects Courbet," Eugene M. Becker, Princeton University
"Paul Klee's Two Dimensional World," James S. Pierce, Harvard University
"College Art Museums in the United States: 1750-1900," Clifton Olds, University of Pennsylvania
Symposium on the History of Art, April 2, 1960
"A Pair of Han Tomb Reliefs," Thomas W. Lawton, Harvard University
"Germanic Metalwork and Hiberno-Saxon Art," Barbara Volwahsen, Columbia University
"The Capitals of the Cloister of St.-Pons-de-Thomières," Linda Seidel, Harvard University
"Duo in Carne Una: Further Mystical Meaning in The Arnolfini Marriage," Anne Markham, New York University
"A Project for St. Peter's," Allen Rosenbaum, New York University
"Jacques de Gheyn: Vanitas," David O. Merrill, Yale University
"Marino's Contribution to Seicento Art Theory," Gerald M. Ackerman, Princeton University
"Albani's Toilet of Venus," Eric Van Schaack, Columbia University
"The Lost Version of Poussin's Achilles in Scyros," Richard W. Wallace, Princeton University
"Heat and Style: A Footnote to the History of Taste in the Federal Period," Samuel Y. Edgerton, University of Pennsylvania
"A Group of Marine Paintings by Manet," Anne Garson, Bryn Mawr College
"Nowicki at Chandigarh," Norma D. Evenson, Yale University
Symposium on the History of Art, April 8, 1961
"New Light on Early Italian Renaissance Stage Design," Guy Walton, New York University
"The Venetian Contribution to the Art of Carracci: A New Aspect," Mark W. Roskill, Princeton University
"Annibale Carracci, 1584," Stephen Ostrow, New York University
"Representations of Egypt in the Paintings of Nicholas Poussin," Charles G. Dempsey, Princeton University
"From Moses to Marianos: Jewish Image Making," Pearl Braude, Brown University
"An Early Etruscan Relief," Larissa Bonfante Warren, Columbia University
"A Problem in Han Relief Style," Hsio-Yen Shih, Bryn Mawr College
"The Imagery of the Library Murals by Delacroix at the Palais Bourbon," George L. Hersey, Yale University
"Cézanne's Sketchbook in the Chicago Art Institute," Wayne Vernon Andersen, Columbia University
"A Suite of Gauguin Woodcuts," Richard S. Field, Harvard University
"The Iconography of New England Gravestone Reliefs: 1653-1800," Allen Ludwig, Yale University
"The Eastern Penitentiary by John Haviland," Matthew E. Baigall, University of Pennsylvania
"John Notman and St. Mark's Church, Philadelphia," Jonathan L. Fairbanks, University of Delaware
Symposium on the History of Art, April 7, 1962
"The Sources of the Eleventh Century Frescoes of the Life of Christ at S. Angelo in Formis," Charles I. Minott, Princeton University
"The Tympanum of Saint-Eugène," Tania Bayard Rolph, Columbia University
"Some Notes on Two Manuscripts from the Rohan Atelier," Kenworth Moffett, Harvard University
"Types and Portraits in the Series of Daitokuji Lo-han Paintings," Patricia Sonneborn, Bryn Mawr College
"Whistler's Japonisme in the 1860s," John Sandberg, Yale University
"Surrealism and the Sublime," Robert B. Ennis, University of Pennsylvania
"The Trinity in Enguerrand Quarton's Coronation of the Virgin," Don Denny, New York University
"Rosso's Pietà in Boston," Ludovico Borgo, Harvard University
"Titian and Andrea Schiavone," Francis Richardson, New York University
"Metamorphoses of the Gods in Cartari's Imagini," Robert L. McGrath, Princeton University
"A German Baroque Statue," Standish Lawder, Yale University
"Rubens' Hunting Scenes," David Rosand, Columbia University
Symposium on the History of Art, March 30, 1963
"Some Speculations on Correggio's Virtue and Vice," Lauren Soth, New York University
"Botticelli's Adoration of the Kings in the Uffizi: A Eucharist Unveiled," Marcia Brown Hall, Harvard University
"Tintoretto's Redemption Cycle at San Rocco," David A. Miller, University of Pennsylvania
"The Franks' Casket Reconsidered," Amy Vandersall, Yale University
"The Use of Drawings in Late Flemish Manuscript Illumination," Herbert L. Kessler, Princeton University
"The Problem of Mabuse's Early Work," Sadja Herzog, Bryn Mawr College
"Observations on Severan Imperial Portraiture," Sheldon Nodelman, Yale University
"Seurat, Piero della Francesca and the Tradition of the École des Beaux-Arts," Albert Boime, Columbia University
"Van Gogh's Drawings of 1888," Charles W. Millard III, Harvard University
"Some Remarks on the Problem of Caravaggism in Spain," Richard E. Spear, Princeton University
"Guarino Guarini: The Church of the Padri Somaschi in Messina," James Morganstern, New York University
"Tiepolo's Etchings Reconsidered," Mira Merriman, Columbia University
Symposium on the History of Art, April 4, 1964
"Problems in Early Renaissance Architecture in Florence: Palazzo Medici and Palazzo Rucellai," Isabelle Hyman, New York University
"Sequence in the Olympia Metopes: Form and Theme," Douglas Lewis, Yale University
"Cleopatra the Queen: An Iconographic Study," Anne Hamilton, University of Pennsylvania
"Illusionism in the Sala Decoration of the Venice Library," Ellen Dinerman, Harvard University
"The Frescoes in the Oratorio di Santa Cecilia in Bologna," Clifford M. Brown, Columbia University
"An Illusionistic Room in the House of Livia," Henry B. Graham, Princeton University
"Delaunay and the City of Paris," Virginia M. Spate, Bryn Mawr College
"Vortex: Image, Movement, Art," Aimee B. Brown, Yale University
"The Brothers Perrault: Anti-Idealism in Architectural Theory," Paul Turner, Harvard University
"A Study of the Techniques Employed in the Manufacture of Luristan Bronzes," Heather Lechtman, New York University
"Zeuxis and Parrhasius: A Controversy on Painting," Vincent Bruno, Columbia University
"Four Early Paintings by Watteau," Martin P. Eidelberg, Princeton University
Symposium on the History of Art, April 10, 1965
"Suger, Saint Matthew, and Saint Denis," Paula Gerson, Columbia University
"Two Saints by Giovanni dal Ponte," Kenneth L. Ames, University of Pennsylvania
"Masolino and Agnolo Gaddi," Bruce Cole, Bryn Mawr College
"Michelangelo's Biblioteca Laurenziana and an Inconspicuous Tradition," Peter M. Wolf, New York University
"Antoine Caron, the Elder Philostratus, and the School of Fontainebleau," William M. Johnson, Princeton University
"A New Look at the Graces: The Funerary Urn of Henry II," Vicki Goldberg, New York University
"Charles Rollin and Early Neo-Classicism," Peter S. Walch, Princeton University
"A Source for Gros's Plague-House at Jaffa," Michael Fried, Harvard University
"The School of Amsterdam: Historical Problems," Helen E. Searing, Yale University
"The Mountain-Sacrifice Theme in Peruvian Ceramics of the Mochica Period," Herbert Cole, Columbia University
"Manet's La Nymphe Surprise," Rosalind Krauss, Harvard University
" Still Life with Statuette by Matisse," Eric G. Carlson, Yale University
Symposium on the History of Art, April 16, 1966
"Christ as Priest and Priest as Christ: The Iconography of Bearing the Cross," James Marrow, Columbia University
"Filarete's Temple of Solomon," Catherine Wilkinson, Yale University
"A Newly Identified Drawing of Brunelleschi's Stage Machinery," Arthur Blumenthal, New York University
"Portraiture of the Florentine Maniera: Sebastiano and Michelangelo," Nancy Neilson, Harvard University
"Titian's Portrait of Filippo Archinto in the Johnson Collection," Richard Betts, University of Pennsylvania
"A Relief of the Madonna and Child and the Sculpture of Orvieto," Michael Taylor, Princeton University
"Some Sources for Manet in Popular Imagery," Molly Faries, Bryn Mawr College
"The Stavelot Triptych and Liturgy," William Voelkle, Columbia University
"A Teotihuacan Place Sign," J. David Summers, Yale University
"The Endymion Myth and Poussin's Detroit Painting," Judith Colton, New York University
"A Watteau Drawing Re-examined," Gary Walters, Princeton University
"Leonardo's Influence in Venice - A Florentine Fable?," Loren Partridge, Harvard University
Symposium on the History of Art, April 15, 1967
"The Leo Bible, Vat.Reg.gr.1: The Original Cycle," Thomas F. Matthews, S.J., New York University
"The Dating of Shang Animal Sculpture," Celia Riely, Harvard University
"Alessio Tramello and the Venetian Type Church Plan," Kenneth Kaiser, Columbia University
"Rubens' Altarpiece of St. Francis Xavier for the Jesuit Church in Antwerp," J. Graham Smith, Princeton University
"Early English Cottage Books: 1781 to 1820," Cynthia Nachmani, New York University
"Frank Furness: His French Sources," Neil A. Levine, Yale University
"Some Second Century Roman Reliefs," Natalie Kampen, University of Pennsylvania
"Hieratic Composition and Social Structure in Nigerian and Cameroons Sculpture," Esther Pasztory, Columbia University
"Uccello's Niccolo da Tolentino at the Battle of San Romano as a Commemorative Battle-piece," David A. Brown, Yale University
"Agostino Carracci in the Palazzo del Giardino," Jaynie Anderson, Bryn Mawr College
"Rembrandt's Etchings of St. Jerome with a Broken Tree," Susan Donahue, Harvard University
"The Château Style in Canada," Harold D. Kalman, Princeton University
Symposium on the History of Art, April 26-27, 1968
"Illustrations to Boccaccio's Il Ninfale Fiesolano," Paul F. Watson, Yale University
"Two Followers of Duccio: Segna and Ugolino," Barbara Boese Wolanin, Oberlin College
"Ghiberti's Space in Relief: Method and Theory," Kathryn Bloom, Harvard University
"Pontormo's 'Vertumnus and Pomona': a New Interpretation," Frederick Cooper, University of Pennsylvania
"The St. Mark Ivories in Milan," Jane Timken, New York University
"Hyperborean Gothic," Douglas S. Richardson, Yale University
"Portrait Workshops in Julio-Claudian Rome," Ulrich Hiesinger, Harvard University
"The Cathedral at Sens in 1145," Kenneth W. Severens, Johns Hopkins University
"Etruscan or Phoenician? A Problem Vase in the Collection of Columbia University," Irene Winter, Columbia University
"The Iconography of the Frieze of the Villa at Poggio a Caiano," David R. Wright, Princeton University
"The Problem of Patronage in a Work of Lucas van Leyden," Craig Harbison, Princeton University
"Antoine Caron's Triumphs of the Seasons," Susan Saward, Bryn Mawr College
"The Gothic Decagon of St. Gereon in Cologne," Richard M. King, Columbia University
"The T Square Club and the Philadelphia School of Architecture, 1883-1915," William R. Mitchell, Jr., University of Delaware
"The Surrealism of Picasso's Crucifixion," Ruth Kaufmann, New York University
Symposium on the History of Art, April 25-26, 1969
"Pietro Testa's Triumph of Painting," Thomas Martone, S.J., New York University
"The Tomb Monument of Doge Andrea Vendramin," Wendy Stedman, Yale University
"Maître François and the Wharnecliffe Book of Hours," Sister Margaret Manion, I.B.V.M., Bryn Mawr College
"The Implications of the Baldacchino for Bernini's Development as a Sculptor," Margola Rivkin, Johns Hopkins University
"The Emperor and the Westwerk," Judson Emerick, University of Pennsylvania
"The Samuel and David Cycles at Chartres," Richard H. Martin, Columbia University
"Palestinian, Byzantine and Western Elements in the Christological Cycle of the Salerno Ivories," Robert Bergman, Princeton University
"The Iconography of the Church of St. Charles Borromeo, Vienna," Frances D. Fergusson, Harvard University
"The Iconography of Rubens' Offering to Venus," Linda Freeman Bauer, Oberlin College
"Ludovico Carracci's Modena Assumption of the Virgin: Its Date and Significance," Lenore Street, New York University
"Sir John Soane and his Contemporary Architectural Critics," Pierre de Ruffinière du Prey, Princeton University
"Gustave Courbet, The Quarry," Bruce MacDonald, Harvard University
" The Gross Clinic as Anatomy Lesson and Memorial Portrait," Ellwood C. Parry, III, Yale University
"John Sloan, Japonisme, and the Art Nouveau," William L. Forwood, Jr., University of Delaware
"Rauschenberg," Roberta Bernstein, Columbia University
Symposium on the History of Art, April 25-26, 1970
"The Karyatids of the Erechtheion: The Motif and Its Significance," Joan M. Marter, University of Delaware
"The Iconography of Jan van Eyck's Madonna of Canon George van der Paele," Michael Hitchcock, Princeton University
"Michelangelo: An Aspect of His Creative Process," Gregory Hedberg, New York University
"New Light on Monet's Cathedrals," Grace Seiberling, Yale University
"A Reconstruction of Simone Martini's Antwerp Polyptych," Joel E. Brink, Johns Hopkins University
"Lorenzo de Medici's Villa at Agnano," Philip Foster, Yale University
"A Note on the Stanza della Segnatura," Nancy Rash Fabbri, Bryn Mawr College
"The Iconography of Peruzzi's Sala del Fregio Frieze in the Villa Farnesina, Rome," Gary Vikan, Princeton University
"Poussin's Stoicism and Philo Judaeus," Richard Dorment, Columbia University
"An Essay in Indian Architecture," Michael W. Meister, Harvard University
"Mannered Wall Systems in Cluny III Architecture," Clement Edson Armi, Columbia University
"The Chilandari Catholicon and the Twin-Doomed Narthex in Paleologan Architecture," Slobodan Curcic, New York University
"Max Ernst: A Proposed Iconography of Animal Imagery," Evan M. Maurer, University of Pennsylvania
"Laszlo Moholy-Nagy: The Light-Space Modulator of 1930," Nan R. Piene, Harvard University
Symposium on the History of Art, April 23-24, 1971
"Joos van Cleve and Representations of Saint Jerome in Sixteenth Century Flemish Painting," John Hand, Princeton University
"Two Pendant Portraits by Jacopo Ligozzi," Joy Kenseth, Harvard University
"Cézanne's Grand Baigneur and a Found Self Portrait," Diane Lesko, State University of New York at Binghamton
"The Modern Museum -- 'Temple' or 'Showroom'?," Michael D. Levin, Princeton University
"Tullio Lombardo's Double Portrait Reliefs," Sarah Wilk, New York University
"Titian's Last Painting: Tomb and Testament," Kate Dorment, Columbia University
"Lorenzo Lotto's Use of Hieroglyphs in the Church of S. Maria Maggiore in Bergamo," Diana Galis, Bryn Mawr College
"Caravaggio's Martyred Fruit: Meanings of a Still Life," Ruth Iskin, Johns Hopkins University
"Carel Fabritius: Perspective and Optics in Delft," Arthur K. Wheelock, Jr., Harvard University
"Were the Constantine Tapestries Really in the Grand Salon of the Barberini Palace?," David L. Simon, Boston University
"New Capitals From Anzy-le-Duc," Carol L. Pendergast, Yale University
" Parisius--Paradisius, An Aspect of the Vie de St. Denis Manuscript of 1317," Charlotte Lacaze, New York University
" The Dance at the Court of Herod by Israhel van Meckenem," Claudine Majzels, University of Pennsylvania
" A Clear Day and No Memories: Edward Hopper's Imagery," Sanford Schwartz, Columbia University
"An 'Architectural Oasis' Rediscovered: McKim, Mead & White in Naugatuck, Connecticut," Leland M. Roth, Yale University
"The Maquettes of Daniel Chester French: The Parisian Influence, 1880-1900," Michael T. Richman, University of Delaware
Symposium on the History of Art, April 28-29, 1972
"Giorgione's Sleeping Venus and Classical Antiquity," Ann R. Milstein, Harvard University
"Hawkers and Vendors: A Background to the 'Diverse Figure' of Annibale Carracci," David Knapton, Princeton University
"Vermeer and Dutch Cartography," James Welu, Boston University
"Three Allegorical Paintings by Fragonard," Alice Zrebiec, New York University
"A Fabulous Drawing by Giulio Romano," Mary Laura Gibbs, Princeton University
"Underdrawings in the Paintings of Jerome Bosch," Jetske Sybesma, Bryn Mawr College
"Pieter Brueghel's The War in Heaven," Nancy Bialler, Yale University
"The Three Hebrews Before Nebuchadnezzar: A Study in Early Christian Political Iconography," Charles McClendon, New York University
"Architectural Function and Kinesthetic Address in Roman Black and White Mosaic Pavements," John R. Clarke, Yale University
"The Yoruba Thunder-God Shrine Door: Programmatic Art in Nigeria," Barbara Guggenheim, Columbia University
"The Representation of Impersonators in Aztec Sculpture," Richard Townsend, Harvard University
"Manet's Woman with a Parrot," Mona Hadler Mitchell, Columbia University
"The Hotels of William L. Price: Origins of the American Commercial Style of the Nineteen Twenties," George Thomas, University of Pennsylvania
"Leonor Fini and the Riddle of the Sphinx," Robert H. Rothchild, State University of New York at Binghamton
Symposium on the History of Art, April 27-28, 1973
"'Fiorenza': The Theme of the Fountain of Labyrinth at Castello," Candace Jane Adelson, New York University
"The Studiolo of Francesco I de'Medici in Florence," Scott Schaefer, Bryn Mawr College
"Rubens' Banqueting Hall Ceiling: A Treatise on the Art of Kingship," Joan Cwi, Johns Hopkins University
"The Language of Flowers: Philipp Otto Runge's Rest on the Flight to Egypt," Manuela Hoelterhoff, New York University
"The Deposition Scene on the Cloisters Cross," Jeffrey C. Anderson, Princeton University
"The Resurrection Plaque on the Cloisters Cross," Stephen Gardner, Princeton University
"Mamluk Architecture and Its Façade Design," Fikret K. Yegul, Harvard University
"The Ichnographic City Plan: Point of View in the Renaissance," John A. Pinto, Harvard University
"The Triadic Ascension in Romanesque Art," Herbert R. Broderick, Columbia University
"The Early Career of Andrea Pisano Reconsidered," Jonathan B. Riess, Columbia University
"'Rockwood': A Romantic Villa in the Anglo-American Tradition," Gilbert T. Vincent, University of Delaware
"Jackson Pollock's The Moon Woman Cuts the Circle, 1943," Elizabeth Langhorne, University of Pennsylvania
Symposium on the History of Art, April 19-20, 1974
"The Dherveni Krater: Some Observations on the One-Booted Figure," Beryl Barr-Sharrar, New York University
"The Small Garden of Love: A Fifteenth Century Engraving at Boston," Roberta Favis, University of Pennsylvania
"Observations on Parmigianino's Drawings for the Vision of St. Jerome," Judith Williams, Harvard University
"The High Horizon Line: Some Remarks on French Landscape Painting and Photography, 1840-1870," Richard Brettell, Yale University
"A Note On Donatello in Siena," Sylvia Ferino, Bryn Mawr College
"Anti-Mannerism in the Reliefs of Giovanni Bologna," Mary W. Gibbons, Rutgers University
"Giovanni Bologna's Altar of Liberty at Lucca," Michael Mezzatesta, New York University
"Peter Wtewael and Utrecht in the 1620s," Anne Lowenthal, Columbia University
"Poussin's Rebecca and Eliezer at the Well of 1648," Thomas L. Glen, Princeton University
"Myth and Metaphor at the Byzantine Court: A Literary Approach to the David Plates," James Lionel Trilling, Harvard University
"John Claudius Loudon and His Comprehensive Plan of 1829 for Metropolitan London," Melanie L. Simo, Yale University
"New Sources for Courbet's L'Atelier," Alexander Seltzer, State University of New York at Binghamton
"Giorgio de Chirico's Nineteenth Century Sources: Some New Proposals," Kenneth Paul Bendiner, Columbia University
"Francis Bacon: The Black Triptychs, 1972-1973," Hugh Marlais Davies, Princeton University
Symposium on the History of Art, April 18-19, 1975
"A New Interpretation of Nicola Pisano's Virtues for the Pisa Baptistery Pulpit," Eloise Angiola, Columbia University
"Andrea Sacchi's Fresco of Divina Sapienza in the Palazzo Barberini," George Lechner, Bryn Mawr College
"Ruskin and Victorian Architectural Drawing," Eve M. Blau, Yale University
"Charles Lang Freer: Patron of American Art in the Gilded Era," H. Nichols B. Clark, University of Delaware
"Some Observations on a Mount Athos Crucifixion Ivory," Susan Winston Leff, Princeton University
"A Stained-Glass Panel from the Hyde Collection: A Question of Restoration," Nancy Kraus, Boston University
"The House of the Lord: Masaccio's Trinity and Tabernacles of the Sacrament," Jack Freiberg, New York University
"A Mythological Subject by Jordaens Reinterpreted," Steven N. Orso, Princeton University
"Ribera's Clubfooted Boy: Image and Symbol," Edward Sullivan, New York University
"Some Miniatures of Paris Arabe 6094," Lawrence P. Nees, Jr., Harvard University
"Variations on the Patterns of a Flemish Illuminator Around 1500," Thomas J. Kren, Yale University
"Heian Period -- Sculptures of the Hachiman Cult," Christine Guth-Kanda, Harvard University
"Turner's Appulia in Search of Appulus and the British Institution Competition of 1814," Kathleen Nicholson, University of Pennsylvania
"McKim, Mead & White's Design for Columbia University," Francesco A. Passanti, Columbia University
Symposium on the History of Art, April 9-10, 1976
"A Unique Medieval Italian Ivory Book Cover," David M. Ebitz, Harvard University
"Giotto's Quatrefoils in the Arena Chapel," Beth Schneider, University of Pennsylvania
"An Iconographical Note on Vermeer," Christine M. Armstrong, Princeton University
"Rodin's Monument to Victor Hugo," Jane Mayo Roos, Columbia University
"Montezuma's Throne," Emily Umberger, Columbia University
"The Arab Paintings in the Alhambra: Eastern and Western Sources," Jerrilynn D. Dodds, Harvard University
"Euclid's Optics and Alberti's Construzione," Richard Tobin, Bryn Mawr College
"Baptismal Imagery in Roger van der Weyden's Bladelin Triptych," Louise E. Caldi, Rutgers University
"Creative Genius: Marten van Heemskerck and the Active and Contemplative Life," Robert F. Chirico, New York University
"Prud'hon's Allegory of Divine Vengeance as a Story of Cain And Abel," David A. Levine, Princeton University
"Thomas Cole's The Oxbow and the Iconography of American Landscape," Oswaldo Rodriguez, Yale University
"Fernand Khnopff's Art or the Caresses: The Artist as Androgyne," William R. Olander, New York University
"Observations on Dali's Metamorphosis of Narcissus," Gail L. Garrison, Johns Hopkins University
"'Purism' or Getting Clean in France After the Great War," Kenneth Eric Silver, Yale University
Symposium on the History of Art, April 22-23, 1977
"Donatello's Lost Joshua: The Heroic Beginnings of Italian Renaissance Terracotta Sculpture," Vivian M. Gordon, Columbia University
"Red Blood -- Green Grapes: In Search of the Missing Metaphor in Gerard David's Washington Rest on the Flight," James Mundy, Princeton University,
"J.M.W. Turner's Circular, Octagonal, and Square Paintings, 1840-1846," Marcia Briggs Wallace, City University of New York
"Eakins in Arcadia," Julie Schimmel, New York University
"The Significance of the Facing-Head Motif in the Post-Polygnotan Greek Art," K. Patricia Erhart, Harvard University
"The Dream of Joseph Capital in St. Lazare, Autun," Nancy J. Prendergast, Princeton University
"Anglo-Saxon Illumination and the Hildesheim Doors: A New Dimension in Ottonian Art," William L. Tronzo, Harvard University
"Wooden Vaulting in English Ecclesiastical Architecture during the Middle Ages," Andrea Matthies Shapiro, State University of New York at Binghamton
"The Brancacci Chapel: A New Explanation for the St. Peter Cycle," Perri Lee Roberts, Bryn Mawr College
"The Art of Love: The Iconographic Tradition behind Domenico Corvi's Allegory of Painting," Nadia Tscherny, New York University
"The Grand Style in America: The House of Representatives by Samuel F.B. Morse," Paul Staiti, University of Pennsylvania
"Manet's Old Musician: Portrait of a Gypsy," Marilyn Brown, Yale University
"A Pendant to Millais' Ruskin at Glenfinlas," Jeffrey Thompson, Yale University
"Giacomo Balla: The Iridescent Interpenetrations," Jennifer Licht, Columbia University
Symposium on the History of Art, April 14-15, 1978
"The Ara Pacis Augustae: Concepts of History and Time," Peter Holliday, Yale University
"New Light on Fresco Technique: Pisanello in Mantua," Joanna Woods-Marsden, Harvard University
"A Reconstruction of Pollaiuolo's Vestments for the Baptistery of San Giovanni," Eric Frank, New York University
"The Gilded Mirror: Prostitution in the Art and Life of Holland in the Golden Age," Lisa Lyons, University of Delaware
"The Diptych of the Nicomachi and Symmachi," David Chetwin Friedman, Columbia University
"Epic Text and Epic Images: Early Manuscripts of the Shahnama," Marianna Shreve Simpson, Harvard University
"Transformations of Art and Nature in the Renaissance Grotto," Mary L. Levkoff, New York University
"Giovanni Bologna's Funerary Chapel in SS. Annunziata," H. Perry Chapman, Princeton University
"Titian's Laura Danti and the Origins of the Motif of the Black Page in Portraiture," Paul Kaplan, Boston University
"Visual Sources for Rimbaud's Le Bateau Ivre in Nineteenth Century Popular Illustration," Judy Sund, Columbia University
"Some Fish and Flowers by John La Farge," Henry B. Adams, Yale University
"Apes, Bears and the Crisis in Mid-Nineteenth Century French Sculpture," Suzanne G. Lindsay, Bryn Mawr College
"The Paris Opéra: Romanticism or Classicism," Christopher Curtis Mead, University of Pennsylvania
"The Development of Picasso's La Vie," Robert E. McVaugh, Princeton University
Symposium on the History of Art, April 20-21, 1979
"The Flaying of Marsyas and Renaissance Anatomy," Beth Holman, New York University
"Innovation and Copy in the Stein Quadriptych of Simon Bening," Marcia Kupfer, Yale University
"The Silence of Virtue: On the Meaning of Nicolaes Maes' Eavesdroppers," William W. Robinson, Harvard University
"Washington Allston's The Evening Hymn," Chad Mandeles, City University of New York
"Through the Opera Glass: Degas' Woman with the Fan," Carol Armstrong, Princeton University
"A Reinterpretation of Botticelli's Last Communion of St. Jerome," Maureen Burke, New York University
"Michelangelo's Bacchus, Tottering Tutelary of Renaissance Theatre," Lynn Kaufmann, University of Pennsylvania
"Nicholas Poussin's Phocion Landscapes," Elizabeth De Rosa, Columbia University
"The Seventeenth Century Views of Old Saint Peter's and the Lateran in San Martino ai Monti: A New Interpretation," Michelle Metraux, Boston University
"The Iconography of the Pamphili Library in Rome," John Beldon Scott, Rutgers University
"Myron's Diskobolos: An Eclectic Work of Late Hellenism," Elizabeth Bartman, Columbia University
" Calypso Sedens: A New Interpretation of a Delian Mythological Mosaic," Christopher Frederick Moss, Princeton University
"The Ornamental Consular Diptychs: Tradition and Innovation in Constantinopolitan Art of the Early Sixth Century," Nancy Netzer, Harvard University
"Edward Hopper: The Uncrossed Threshold," Susan Stein, State University of New York at Binghamton
"Freud, Cubism, and the Image of Wit," Nancy Olson, Yale University
"Joan Miró's Portrait-Paysage: Studies for a Self-Portrait," Elizabeth Higdon, Bryn Mawr College
Symposium on the History of Art, April 11-12, 1980
"Timurid to Safavid Iran: Continuity and Change," Linda Komaroff, New York University
"Time, Truth, and Destiny: Some Iconographical Themes at the Court of Cosimo I de' Medici," Lynette Bosch, Princeton University
"Phrenology and Pre-Raphaelitism," Stephanie Grilli, Yale University
"Surroundings and Necessities: The Art of Pinckney Marcius-Simons," David Deitcher, City University of New York
"Picasso's Communist Interlude: The Murals of War and Peace," Kirsten Keen, Columbia University
"Houses are Homes: The Architecture of the Tamberma," Susanne Blier, Columbia University
"The Veroli Casket," Deborah Bershad, State University of New York at Binghamton
"Michelangelo's Battle of the Centaurs," John Cunnally, University of Pennsylvania
"The Iconography of Van Dyck's Continence of Scipio," Pamela Gordon, Princeton University
"Ingres' Stratonice: Public Image/Private Image," Christopher Riopelle, New York University
"Restoration and the Historical Imagination: César Daly's Work at Albi Cathedral," Ann R. Van Xanten, Harvard University
"Alfred Stevens and the Image of the Contemporary Woman," Leila Kinney, Yale University
"Frederick Remington's Bronco Buster," Michael Shapiro, Harvard University
" The Burial of Casagemas and La Vie: Observations on Symbolism and the Art of Picasso's Youth," Marcia Werner, Bryn Mawr College
"The Evolution of Henri Gaudier-Brzeska's Boston Wrestler's Relief," Francine Koslow, Boston University
"Man Ray in Quest of Modernism," Karen Rabbitto, Rutgers University
Symposium on the History of Art, April 3-4, 1981
"A Program of Altarpieces for Siena Cathedral," Kavin M. Frederick, Rutgers University
"The Madonna of Compassion c. 1250-1525: Popular Theology and Religious Imagery," Carol Schuler, Columbia University
"From Ni Tsan (1301-1374) to Wang Fu (1362-1416): A Structural Analysis," Roberta Bickford, Princeton University
"Fragonard's The Pursuit of Love," Lynne Kirby, State University of New York at Binghamton
"The Uses of Historicism in 1773: The Saint Louis Cycle for the Ecole Militaire," John Goodman, New York University
"The Aphrodite of Capua," Shelley E. Zuraw, New York University
"The Medieval Cloister Seen As Paradise," Susan E. Tholl, Columbia University
"A Reconsideration of the Dates of the Stephaneschi Altarpiece and of Giotto's Roman Activity," Sara Lehrman, Bryn Mawr College
"Love, Sorrow and the Goddess of the Earth: Traditions for Giorgione's Tempesta," Daniel Lettieri, Yale University
"The Origin of Universal Expositions in France," Patricia Mainardi, City University of New York
"Monumentality versus Suitability: Viollet-le-Duc's Church of Saint Gimer at Carcassonne," Lucy MacClintock, Harvard University
"Armsmear: The Industrial Duchy of Colt in Hartford," Anstress Paine, Yale University
"Memory and Imagination in the Flower Book of Sir Edward Burne-Jones," Susan Fisher Sterling, Princeton University
"D.G. Rossetti's Kisses," Peter Baldaia, Boston University
"A Stylistic Context for Gauguin's Egyptian Sources," Elizabeth Meyers, University of Pennsylvania
"On the Early Paintings of Vladimir Tatlin, 1910-1915," James B. Cuno, Harvard University
Symposium on the History of Art, April 2-3, 1982
"Reflections on Botticelli's Primavera," Nancy L. Webbe, Boston University
"Hieronymus Bosch's St. John in the Wilderness and its 'Fruits of Evil,'" Gregory Clark, Princeton University
"Subject and Medium in Four Prints by Rembrandt," Stephanie S. Dickey, New York University
"The Earliest American Collectors of Monet," Frances Weitzenhoffer, The Graduate School and University Center of the City University of New York
"The Mathematical Basis of Drafting Conventions in Ancient and Medieval Technical Illustrations," Jane Andrews Aiken, Harvard University
"'Paradise Regained': A New Interpretation of the Carrand Diptych in the Bargello," Ellen Konowitz, New York University
"Quid retribuam domino? Priestly Worthiness in Grünewald's Last Supper," Howard Creel Collinson, Yale University
"Caravaggio's Burial of St. Lucy," Louise Rice, Columbia University
"Gianlorenzo Bernini's St. Lawrence: The Idea of the Paragone," Catherine M. Soussloff, Bryn Mawr College
"The Emperor's Halo: The Iconography of the Divine in Mughal Painting," Glenn Lowry, Harvard University
"Benjamin West's Self Portraits: The Learned Painter," Carole Paul, University of Pennsylvania
"A Source for Sir Francis Chantrey's Sleeping Children," Ilene Lieberman, Princeton University
"Victorian Paintings of Fallen Men," Hilarie Faberman, Yale University
"Puvis de Chavannes in Marseille," John R. Klein, Columbia University
"Picasso's Collages and the Threat of War," Patricia Leighten, Rutgers University
Symposium on the History of Art, April 8-9, 1983
"A New Document for Simone Martini's Chapel of St. Martin of Assisi," Adrian S. Hoch, University of Pennsylvania
"A Major Monument of International Courtly Gothic Painting," Jeffrey F. Hamburger, Yale University
"The Iconography of Benvenuto Cellini's Saltcellar," Denise Allen, New York University
" Exemplum Patientiae: Job in Distress, a Newly Discovered Painting by Hendrick Goltzius, and Its Pendant," Lawrence W. Nichols, Columbia University
"Joris Hoefnagel's The Four Elements and Its Print Sources," M. Lee Hendrix, Princeton University
"Bruegel's Towers of Babel and Protestant Polemics," Sarah Elliston Weiner, Columbia University
"A Commemoration of the Siege of Haarlem by Jacob van Ruisdael," Ilana Dreyer, New York University
"The Façade of the Rubenshuis: Public Statement, Private Meaning," Henry J. Duffy, Rutgers University
"Diogenes and the River Nymph: Sources and Subject of Poussin's Mars and Venus," Ruth Gutmann Hennig, Boston University
"Poussin's Landscape with Polyphemus and Landscape with Hercules and Cacus: History and Natural History in Poussin's Late Work," Sheila McTighe, Yale University
"The Arch of Constantine and Its Byzantine Progeny," Sarah E. Bassett, Bryn Mawr College
"The Image of Yakushi at Jingo-ji and the Formation of the Plain-Wood Style," Samuel Crowell Morse, Harvard University
"Tatlin's Tower: The Use of the Impossible Monument," Ellen Handy, Princeton University
"Bouguereau and the Quest for Modernity: The Problem of the Salon Nude, 1861-1865," Daniel Hodgson, The Graduate School and University Center of the City University of New York
" The Ball at the Opera: A Matter of Response," Melissa Hall, State University of New York at Binghamton
"A David Smith Drawing: A Literal Reading," William Ameringer, Harvard University
Symposium on the History of Art, April 6-7, 1984
"Trophies and Treasures: Three Byzantine Book Covers at San Marco," Ranee A. Katzenstein, Harvard University
"The Evil Sea: Exegesis and Iconography in Some North Italian Mosaic Pavements," Linda Safran, Yale University
" La Fede, Titian's Votive Painting for Antonio Grimani," Mary Bergstein, Columbia University
"'Beyond All Imagination Glorious': The Altar Tabernacle of the Virgin in the Pauline Chapel of Santa Maria Maggiore," Steven F. Ostrow, Princeton University
"Genesis of the Epithet Romanesque in Mid-Eighteenth Century England," Tina Waldeier Bizzarro, Bryn Mawr College
"Fra Angelico's Last Judgment and the City of God," Anne-Marie Sankovitch, New York University
"Incarnation and Entombment: New Sources for Donatello's Cavalcanti Altar," Kristen Van Ausdall, Rutgers University
"The Politics of Immortality: Alberti, Florence and the Rucellai Chapel," Emily Braun, New York University
"On Botticelli's Venus and Mars: Satiric Flora," Annabelle Pelta, University of Pennsylvania
"Tobias Stimmer's Woodcut Illustrations for the Elogia virorum illustrium of Paolo Giovio," Linda S. Klinger, Princeton University
"The Female Image in Luba Prestige Art," Polly Nooter, Columbia University
" Omi-Hakkei: Poems and Paintings of the 'Eight Views of Omi'," Bruce Coats, Harvard University
"Three-Dimensional Space in Greek and Roman Landscape Reliefs," Michael Hoff, Boston University
"Color and Abstraction in a Tapestry from the Ancient Andean Middle Horizon (A.D. 500-1000)," Rebecca R. Stone, Yale University
"Ambiguity of Vision in Winslow Homer's Cast Up by the Sea," Philip N. Clay, State University of New York at Binghamton
"Jasper Johns: Authorship and Authority," Ann Morris-Reynolds, The Graduate School and University Center of the City University of New York
Symposium on the History of Art, April 12-13, 1985
"Two Lorenzetti Landscapes: Documents of Siena's Territorial Expansion," Linda A. Koch, Rutgers University
"Lorenzo Lotto's Calvary at Monte San Giusto," Louisa C. Judge, Princeton University
"Cornelis van Haarlem and the Influence of Heemskerck on the So-Called Haarlem Academy," Julie McGee, Bryn Mawr College
"Poussin as a Leonine Man: A Study in Physiognomics and Self-Portraiture," Adrienne von M. Lates, Columbia University
"An Image of One's Own: Berthe Morisot's Self-Portrait," Anne Higonnet, Yale University
"The Military Paintings of Elizabeth Butler: The Success of Victorian Morality," Deborah H. Cibelli, State University of New York at Binghamton
"The Celtic Myth of Genesis in the Art of Yves Tanguy," Susan W. Nessen, Boston University
"Picasso's Night Fishing at Antibes: An Apocalyptic Vision," Timothy Anglin Burgard, Columbia University
"Jackson Pollock's Idea of the Unconscious," Michael Leja, Harvard University
"The Tomb of Gaston de Foix," Paul Gutowski, New York University [Note in program: Paul Gutowski died on January 23, 1985.]
"Opposition in the Canon of Polyclitus," Gregory V. Leftwich, Princeton University
"Mnemonic Systems and Stylistic Change: An Indian Example," John F. Mosteller, University of Pennsylvania
"The Formation of an Ottoman Imperial Tradition: The Topkapi Palace in the Fifteenth Century," Gulru Necipoglu, Harvard University
"Deconstructing the 'New Woman': Hannah Höch's Photomontages in the Weimar Era," Maud Lavin, The Graduate School and University Center of the City University of New York
"Shattering the Monument in the 1920s: Germaine Krull's Photographs of the Eiffel Tower," Kim Sichel, Yale University
"Muybridge, Lewitt, and Minimalism," Lisa Kurzner, New York University
Symposium on the History of Art, April 11-12, 1986
"Correggio's Joseph in Parma Cathedral," Carolyn Smyth, University of Pennsylvania
"Michelangelo's Cartoon for the Crucifixion of St. Peter Reconsidered," Carmen C. Bambach, Yale University
"The Grotta Grande in the Boboli Gardens, Florence," Elizabeth A. Helman, New York University
" Fortuna, Hermathena and the Education of a Prince," Dorothy Limouze, Princeton University
"Guercino and the Carracci Tradition," David Stone, Harvard University
"Motherhood in Service of the Revolution: The Politics of David's Sabine Women," Ewa Lajer-Burcharth, The Graduate School and University Center of the City University of New York
"Théodore Rousseau and the Polemics of the Sketch at the Salon of 1850-1851," Carla M. Puppin, Bryn Mawr College
" The Cotton Market: Degas' Anglo-American Excursion," Todd Porterfield, Boston University
"Gustave Caillebotte's The Floor-Scrapers of 1875: The Parameters of an Exegesis," Philip Armstrong, State University of New York at Binghamton
"William Quiller Orchardson: Two Narrative Paintings," Della Clason Sperling, Columbia University
"A Memorial Tablet from Palenque at Dumbarton Oaks," Anne-Louise Schaffer, Columbia University
"The Chiesola in the Treasury of San Marco: A Reconsideration," David Nishimura, New York University
"Scribal Notes on Mughal Manuscript Illustrations," John Seyller, Harvard University
"Inigo Jones' Drawing of St. Paul's Cathedral Reconsidered," Ruth Wilford Caccavale, Rutgers University
"Plague, Penitence, and the Virgin Mary in Micco Spadaro's Ex-Voto for the Carthusians of Naples," James Clifton, Princeton University
"Matisse's Luxe, calme et volupté: Rejuvenating the 'Grande Tradition,'" James D. Herbert, Yale University
Symposium on the History of Art, April 10-11, 1987
"Rhetoric and Decorum: Fra Angelico and the Chapel of Nicholas V," Kevin Salatino, University of Pennsylvania
"Rembrandt and the Northern Tradition: The Etching of St. Jerome in His Study of 1642," Catherine B. Scallen, Princeton University
"Fragonard's Early Development as a Genre Painter," Perrin Stein, New York University
"Winslow Homer's Below Zero: Art in a Cold Climate," Christopher Reed, Yale University
"The Painting-Poems of Paul Klee, 1916-1921," Lisa A. Kapp, Columbia University
"Illustrations of Anselm's Prayers and Mediations and Modes of Medieval Communication," Dorothy M. Shepard, Bryn Mawr College
"Michelangelo's Drawings for the Fortification of Florence," Jonathan Holmes, New York University
"The Porta Virtutis and Federigo Zuccari's Expulsion from the Papal States: An Unjust Conviction?," Patrizia Cavazzini, Columbia University
"Winslow Homer's High Tide: The Bathers and His Images of Women by the Sea," Robin Jaffee Frank, Yale University
"Matisse's School, 1908-1909," Robert Boardingham, Harvard University
"The Appearance of Barnett Newman's Anarchist Ideals in His Visual and Written Works of the Late 1960s," Ann Schoenfeld, The Graduate School and University Center of the City University of New York
"A Literary Source for Ambrogio Lorenzetti's Allegory of Good Government," Michael J. Bzdak, Rutgers University
"Léon Parvillée: French Architect in the Service of the Sultan," Beatrice St. Laurent, Harvard University
"A Critique of Panofsky's 'Excursus on Two Façade Designs by Domenico Beccafumi,'" Preminda Jacob, State University of New York at Binghamton
"Religious Themes in Judy Chicago's The Dinner Party," Diane Walker, Boston University
Symposium on the History of Art, April 8-9, 1988
"Melozzo da Forlí's Christ in Glory: The Decoration of the Della Rovere Funerary Chapel in SS. Apostoli," Isabelle Frank, Harvard University
"Renaissance Responses to the Plague: A New Image Type of St. Sebastian," Louise Jane Marshall, University of Pennsylvania
"Pieter Aertsen's Meat Stall and the Origins of the Market Piece," Ethan Matt Kavaler, New York University
"Bernini's Constantine," Raquel da Rosa, Columbia University
"Degas' Portrait of Henri Michel-Lévy: Beneath the Spontaneous Surface," Elisabeth A. Fraser, Yale University
"The Campanile of S. Maria in Cosmedin and the Roman-ness of Roman Medieval Architecture," Ann Priester, Princeton University
"The Singing Boys of Luca della Robbia's Cantoria: Origins and Musicology," Eric M. White, Boston University
"Velázquez's Bodegones a lo divino," Leslie Nelson, Bryn Mawr College
"The Chinea of 1758," John Moore, Harvard University
"The Achilles in Hyde Park," Marie F. Busco, New York University
"An Oliphant Workshop in Palermo under King Roger II," Maura C. Donohue, Princeton University
"The Iconography of Correggio's Frescoes in S. Giovanni Evangelista in Parma and the Regula Sancti Benedicti," Anita Vitali, Rutgers University
"The Mapa de Santa Cruz: Another View of Mexico in the Sixteenth Century," Barbara Mundy, Yale University
"Modernism and Monumentality in Le Corbusier's Chandigarh," Sarah Ksiazek, Columbia University
"Dali, Gala, The Angelus," Paul Eli Ivey, State University of New York at Binghamton
"A Heightened Sense of Life: Joseph Urban's Theater Designs," Mary Beth Betts, The Graduate School and University Center of the City University of New York
Symposium on the History of Art, April 7-8, 1989
"Leonardo Bruni on 'The Statues of Valiant Men' and Uccello's Hawkwood," W.J. Wegener, Princeton University
"Testa, Leonardo, and the Change in Poussin's Approach to Light and Color in the 1630s," Pauline T. Maguire, Columbia University
"Odysseus Threatening Circe: An Iconological Solution to an Early Drawing by Henry Fuseli," Andrew Carrington Shelton, New York University
"The Road to Thebes: A Consideration of Ingres' Antiochus and Stratonice," Nora M. Heimann, The Graduate School and University Center of the City University of New York
"A New Reading of Edgar Degas' Interior," Susan J. Sidlauskas, University of Pennsylvania
"The Interplay Between the 'Narrative' and the 'Dramatic' as Pictorial Categories of Meaning: An Inquiry into the Alexander Mosaic from Pompeii," Ada Cohen, Harvard University
"Origins of the 'Mystra Type' in Byzantine Architecture," Sharon Gerstel, New York University
"The Philosophers of Laughter: Velázquez's Portraits of Jesters at the Court of Philip IV," Julie V. Hansen, State University of New York at Binghamton
"The Gilded Age and The Golden Bough: Classical Mythology in the Paintings of Frederic Leighton," Robyn Asleson, Yale University
"Islamic Representations of the Soul in Paradise," Nuha N.N. Khoury, Harvard University
"Botticelli's Primavera: A Lesson for the Bride," Lilian Zirpolo, Rutgers University
"The Fresco of SS. Cosmas and Damian at San Juan de la Peña and the Cult of Twin Saints in Spain," Pamela A. Patton, Boston University
"Alice Austen: American Amateur Photographer, 1866-1952," Ainlay Samuels, Yale University
"Edward Alden Jewell and the Search for the American in Art," Sandra Ericson, Bryn Mawr College
"Paul Klee's System of Painting as Seen from a Composition with Windows," Lisa Florman, Columbia University
Symposium on the History of Art, April 6-7, 1990
"A Biographical Source for Picasso's Early Images of Prostitutes: Lola Picasso and the Courtesans," Richard Paley, Rutgers University
"Tales in Wood, Tales in Cloth: Naturalism and Abstraction in the Arts of the Kuba Kingdom," Dominique Malaquais, Columbia University
"'Das Neue Bauen': Capitalist Pragmatism or Utopian Vision?," Kathleen James, University of Pennsylvania
"Motives and Motifs for Man Ray's 1935 Folding Screen," Virginia Fabbri Butera, The Graduate School and University Center of the City University of New York
"Imperial Portrait Models under Gallienus and the Coinage of Asia Minor," Lee Ann Riccardi, Boston University
"Narratives of Coin at Vézelay," Tracy Shew, State University of New York at Binghamton
"A French Maecenas in the Roman Quattrocento: Cardinal Guillaume d'Estouteville and Sant'Agostino (1479-1483)," Meredith J. Gill, Princeton University
"Earthly and Heavenly Patrons of Art in Renaissance San Gimignano," Deborah Krohn, Harvard University
"Albrecht Dürer's Maximilian Portraits: An Investigation of Versions," Katherine Crawford Luber, Bryn Mawr College
"'Het volk wilt bedroghen zijn': The Kwakzalver in Seventeenth Century Dutch Genre Painting," Carol J. Fresia, Yale University
"Rembrandt's Kenwood Self-Portrait and the Importance of Being Earnest," Mariët Westermann, New York University
Symposium on the History of Art, April 5-6, 1991
"Mid Ninth-Century Japanese Sculpture from the Kanshin-ji Temple: Attaining Enlightenment in This Body," Cynthea Bogel, Harvard University
"Iconicity and Narrative in Early Indian Buddhist Imagery," Nora A. Taylor, Cornell University
"'The Heavens and the Earth': The Paradise Metaphor in the Hispano-Islamic Garden," D. Fairchild Ruggles, University of Pennsylvania
"'Hortus Conclusus' or Garden of Love: Investigating the Site/Sight of Susanna and the Elders in Sixteenth Century Netherlandish Prints," Susan Dackerman, Bryn Mawr College
"Christianity, Positivism and Photography: The Case of Francis Frith," Douglas R. Nickel, Princeton University
"Photographs of Hysterical Seizures at the Salpêtrière Hospital: A Model for the Visual Representation of Mad Love," S. Tatiana Spinari, Boston University
"The Anatomy of a Defamation: Nolde's The Life of Christ," Carmen Stonge, The Graduate School and University Center of the City University of New York
"National Regions and Local Cultures: Transformations in Regional Thought from Thomas Craven to Stuart Hall," Darlene Miller, State University of New York at Binghamton
"Changing Old Testament Narratives into New Testament Liturgies: The Exodus in the Ashburnham Pentateuch," Dorothy Hoogland Verkerk, Rutgers University
"The Cityscape as Propaganda: Two Views of Jerusalem and the Call to Crusade in the Court of Philip the Good," Camille Serchuk, Yale University
"The Liturgical and Iconographic Context of Hugo van der Goes' Adorations of the Shepherds," Erik W. Inglis, New York University
"In Defense of The Polish Rider," Benjamin Binstock, Columbia University
"Ut Pictura Pictura: Corot's L'Atelier Series," David C. Ogawa, Brown University
Symposium on the History of Art, April 3-4, 1992
"Drawn Toward Europe: Winslow Homer's Work in 'Black and White,'" Paul Raymond Provost, Princeton University
"Learning from Furness: Architecture, Epistemology, and the Furness Library," Philip Kent, Bryn Mawr College
"'The Same Saxon of Different Environments': Frederic Remington's The Last Stand," Alexander Nemerov, Yale University
"Challenging Photographic 'Truth': Ralph Steiner's Analysis of Nazi Propaganda in PM's Weekly," Carol Payne, Boston University
"The Belted Hero in Early Greece," Michael J. Bennett, Harvard University
"The Templars and Alexander the Great: Reading the Marginalia in Manuscript G.24, Pierpont Morgan Library, New York," Domenic J. Leo, New York University
"Rogier van der Weyden's Avenues of Time," Alfred Acres, University of Pennsylvania
"War and Peace: A Reconsideration of the Courtyard Program for the Château of Versailles," Kathy D. Le Clair, Rutgers University
"The Courtly Indifference of Jacques Callot," Michel Melia, Cornell University
"Satirizing the Senses: Perception and the Grotesque Body in Goya's Caprichos," Andrew Schulz, Columbia University
"Goya's Besançon Martyrdoms: The Savage as Metaphor," Mark Williamson, State University of New York at Binghamton
" Laus Veneris: Edward Burne-Jones and Richard Wagner in Praise of Venus," Laura Hendrickson, Brown University
"Charles Baudelaire and Autobiographical Content in Charles Meryon's Eaux-fortes sur Paris," Asher Miller, The Graduate School and University Center of the City University of New York
Symposium on the History of Art, April 2-3, 1993
"Opus Antonii Pollaioli Florenttini," Thomas E. Rassieur, New York University
"Michelangelo's London Entombment and the Ends of the Altarpiece," Alexander Nagel, Harvard University
"The Riddle of the Sphinx: Egyptian Art and Egyptomania in Renaissance Rome," Brian A. Curran, Princeton University
"The Portrait of Abbess Lucrezia Agliardi Vertova," Cheryl A. Schutt, Rutgers University
"Piety as Politics: Images of Divine Kingship in the Chapel at Versailles," Martha Mel Edmunds, University of Pennsylvania
"Suspended Sentimentality: Sympathy and Social Consciousness in Louis-Léopold Boilly's Images of the Urban Poor," Lisa Small, The Graduate School and University Center of the City University of New York
"The Domestication of the Tiger: On Some British Conceptions of India," Michele Ryan, State University of New York at Binghamton
"Walter McEwen's The Witches: Configuring Gender and Power in Late-Nineteenth Century America," Diane Dillon, Yale University
"'An Inferior Race?': Craniology, Phrenology, and George Catlin's Indian Heads," Bridget Goodbody, Columbia University
"Gender and Power in John Sloan's Images of Working-Class Women," Janice M. Coco, Cornell University
"Trading Places: Monet and Debussy Search for a National Style," Stephen Eskilson, Brown University
"Matisse and the Life of Color," Kathryn Casey, Bryn Mawr College
"Documentary Photography as Poetry: Berenice Abbott's Changing New York," Peter Barr, Boston University
Symposium on the History of Art, April 8-9, 1994
"Legends about Art in Ninth Century Ravenna: Hagiographical Borrowing and Iconoclasm," Deborah Mauskopf Deliyannis, University of Pennsylvania
"Folly, Laughter, and Epiphany in a Lost Work by Hugo van der Goes," Elizabeth A. Guenther, Princeton University
"Looking into Disorder: Vision and Multiplicity in the Engravings of Giovanni Battista Piranesi," Laura Foster, State University of New York at Binghamton
" Two Women Looking at Paintings: Women as Audiences and Patrons at the Ming Court," Jennifer Purtle, Yale University
"Antiquarian/Courtier: Antiquarian Knowledge and Court Culture," Louis Marchesano, Cornell University
"Collecting Art and Constructing Art History: The Boisserées and their Medieval Painting Collection," Jennifer Cadero-Gillette, Harvard University
" The Concert Champêtre: Civic Elegy and the Limits of Pastoral," Jonathan W. Unglaub, Columbia University
"Portrait Busts of Children in Quattrocento Florence," Victor Coonin, Rutgers University
"The Evolution of Michelangelo's Magnifici Tomb: Program versus Process in the Iconography of the Medici Chapel," Estelle O'Neill, Brown University
"Speculations on a Severed Head: The Metropolitan Museum's Bust of Cosimo I de' Medici," Seth Jayson, New York University
"Gros' Sappho at Leucadia: Modern Vision, Classic Death," Derin Tanyol, The Graduate School and University Center of the City University of New York
"'Delight--becomes pictoral': Evocation of Emily Dickinson in the Life and Work of Joseph Cornell," Stephanie L. Taylor, Boston University
"Masculinity, Femininity, and Architecture: Gender in the Writings of Louis Sullivan," Leslie Topp, Bryn Mawr College
Symposium on the History of Art, April 7-8, 1995
"Ichnographia and Orthographia: Ancient Methods of Presenting Architectural Designs," Susan Tegtmeyer, University of Pennsylvania
"A Medieval Pilgrims' Hospice on the Road to Santiago de Compostela," Laura Good Morelli, Yale University
"Hardwick Hall and the Spaces of Domesticity, 1597," Sara L. French, State University of New York at Binghamton
"Alice Halicka's Jewish Bodies: Racial Stereotypes and the Jewish Woman Artist in Interwar France," Paula Birnbaum, Bryn Mawr College
"A New Look at the New Woman: Karl Hubbuch's Weimar Portraits," Margaret Schwartz, The Graduate School and University Center of the City University of New York
"The Political (or Apolitical) Use of Questionnaires in Alfred H. Barr, Jr.'s 1951 Matisse: His Art and His Public," Susanne V. Cloeren, Brown University
"The Dynamic of Political Rhetoric: The Rock Relief of Darius III at Behistun and Its Precedents," Ann T. Shafer, Harvard University
"Capetian Dynastic Ambition and Illuminations of the Roman de Troie," Elizabeth Morrison-Law, Cornell University
"Narrative Insertion in Commedia Illustrations of Francesco Traini's Circle," Karl Fugelso, Columbia University
"Paolo Veronese's The Choice of Hercules," Donna Serbe Davis, Rutgers University
"Rembrandt's Aristotle?," Paul Crenshaw, New York University
"Sympathy for the Devil: The Romantic Transformations of Cain and Abel, 1780-1840," Sally Mills, Princeton University
Symposium on the History of Art, April 12-13, 1996
"The Emiliano Zapata Panel: Representation in the Ancient Maya Tradition," Adam Herring, Yale University
"Crusader Architecture and Liminal Identity: The Knights Templar and the Churches of Eunate, Torres del Rio, and La Vera Cruz," Elizabeth A. Gittings, Harvard University
"Architects, Masons and Bureaucrats: A Bid for the Panadería in the Plaza Mayor of Madrid," Jesús R. Escobar, Princeton University
"Theorizing the Body: Henri Matisse and the Language of 'Signs,'" Marcia Brennan, Brown University
"Mondrian's Tragic Touch," Marek Wieczorek, Columbia University
"Contested Meaning and Excess in Walker Evans' American Photographs," Kim Evans, State University of New York at Binghamton
"Pietro Lombardo's Tomb of Doge Pietro Mocenigo: A Venetian Allegory of Immortality," Andrea W. Campbell, Rutgers University
"Cardinal Massimo's Claudes: A Case of Neostoic Display," Victoria C. Gardner, University of Pennsylvania
"Delacroix and the Divine: Raphael and Religion in the Mural Program at Saint-Sulpice," Joyce C. Polistena, The Graduate School and University Center of the City University of New York
"John Ruskin's Subject," Charles Reeve, Cornell University
"Margaret Garner: The Modern Medea and Race Matters, 1856 and 1867," Leslie Furth, Boston University
"Absorption, Theatricality, and Gender: The Female Nude in Diderot's Salons," Andrei Molotiu, New York University
"Grace Forsaken: A Theological Paradox and Its Resolution in the Writings of Michael Fried," Isabelle Wallace, Bryn Mawr College
Symposium on the History of Art, April 11-12, 1997
"Moving Cathedrals: An Experiment," Anthony Scibilia, Columbia University
"Antiquarian Cartography and the Origins of the Palazzo Barberini, Rome," David Hays, Yale University
"The Escudo de Monja: A Mexican Genre of Devotional Art (1521-1821)," Elizabeth Perry, Brown University
"Jean Colombe: Images of Power in Les Douze Périls d'Enfer," Richard Gay, Cornell University
"Reinscribing Diana and Flora in the Mythmaking of Seventeenth Century Portraits of Women," Susan Shifrin, Bryn Mawr College
"The Unwritable Rococo and the Structure of Art History," Nick Newman, University of Rochester
"Cézanne's Uncle Dominique Series: Constructing a Couillarde Identity," Larissa Bailiff, New York University
"Is It A Girl or a Boy, or Should We Ask A Different Question? Cézanne, Picasso, and Sexual Difference," Sue Ann Prince, University of Pennsylvania
"Columbus Day in Washington Square: William Glackens' Parade Scenes," Margaret Stenz, The Graduate School and University Center of the City University of New York
"'Climbing Jacob's Ladder Under the Shadows of Harlem': Aaron Douglas' 1926 Drawing for Nigger Heaven," Caroline Goeser, Rutgers University
"Beyond the Post Colonial: Architecture and Political Cultures in Indonesia," Abidin Kusno, State University of New York at Binghamton
"Framing Persian Painting: The Influence of the 1931 Exhibition of Persian Art on the Study of Persian Painting," Barry D. Wood, Harvard University
"'The Spreading Man-Reef': The American Reception of the 1943 County of London Plan," Andy Shanken, Princeton University
"Stories of Race and Representation: Carrie Mae Weems, the Sea Islands Series, and the Daguerreotypes of J.T. Zealy," Stacey McCarroll, Boston University
Symposium on the History of Art, April 3-4, 1998
"Consular Diptychs: Politics and Function," Kim Bowes, Princeton University
"The Baptistery of Parma and the Duecento Renewal of Parma's Episcopal Center," Areli Marina, New York University
"The Medieval City as Scenographic Backdrop for the Fascist Regime: The Case of Arezzo," Medina Lasansky, Brown University
"Crossing Boundaries and Marching to China: Sesshu's Great Synthesis," Shih-Shan Susan Huang, Yale University
"Donatello's Pulpit at Prato and the Vision of the Assumption," Lois Munemitsu Eliason, Rutgers University
"Mary Magdalen and the Political Culture of the Burgundian Netherlands, ca. 1477-1530," Brian Cohen, State University of New York at Binghamton
"Trompe-l'Oeil and the Rhetoric of Foregrounding," Hanneke Grootenboer, University of Rochester
"Enframed in Space: The Figure of Woman in Romantic and Biedermeier Imagery," Gretchen Holtzapple Bender, Bryn Mawr College
"Performing Identity in John Singer Sargent's Ellen Terry as Lady Macbeth," Leigh Culver, University of Pennsylvania
"He's Got a Hot Ass: Duchamp's Homosexing of Mona Lisa," Paul B. Franklin, Harvard University
"The Savage and the Sublime: Two Paintings by William Hodges Based on an Encounter with Maori in Dusky Bay, New Zealand in 1773," Peter Brunt, Cornell University
"Mapping the Savage Body: Essence and Identity in the Work of Jimmie Durham," Catherine Wilcox-Titus, Boston University
"Reconsidering Jackson Pollock's Guardians of the Secret," Daniel Adler, The Graduate School and University Center of the City University of New York
"African Art, Feminine Beauty and Politics in the Jazz Age," Helen Shannon, Columbia University
Symposium on the History of Art, April 9-10, 1999
"The Economy of Byzantine Images in a Fourteenth Century Icon From Paganovo," Bissera V. Pentcheva, Harvard University
"Crusader History Selon l'Ordre de l'Arbre in the Fifteenth-Century Chroniques de Jérusalem Abrégées'" Elizabeth Moodey, Princeton University
"None Other Such As It: Longford Castle and Tradition in Elizabethan Architecture," Elizabeth M. Karlinger, Bryn Mawr College
"Ghiberti's Shrine of Saint Zenobius and the Renewal of Zenobius' Cult in Quattrocento Florence," Amy R. Bloch, Rutgers University
"The Figuration of Heresy in Francesco Cairo's Herodias with the Head of John the Baptist," Natasha T. Seaman, Boston University
"Scientific or Idyllic, Perspectives on the Roman Forum," Sarah Benson, Cornell University
"'As for the severed ear, that is straightforward logic': Van Gogh and the Logic of Japonisme," Douglas Fordham, Yale University
"Le Saint des Saints/The Holy Drawing: Francis Picabia and the Sacrifice of Drawing," George Baker, Columbia University
"Max Ernst's Loplop as Freudian Totem: Patricide and the Repression of Conscious Authority," Samantha Kavky, University of Pennsylvania
"'Looking' and 'Eating' or Surveillance and Desire in Jasper Johns' Souvenir," Katherine Smith, New York University
"The New Adventures of the Avant-Garde in Latin America: American Formalism, Latin American Art Criticism, and the Furniture of Beatriz Gonzalez," Victor Manuel Rodriguez, University of Rochester
"Mies van der Rohe, Political Ideology, and the Free Plan," Claire Zimmerman, The Graduate School and University Center of the City University of New York
"A 'New Era' in Church Building: The Architectural Re-Imaging of American Protestantism between the World Wars," Brian C.R. Zugay, Brown University
"Commemorating the African Burial Ground of New York City: Spirituality of Space in Contemporary Artworks," Andrea Frohne, State University of New York at Binghamton
Symposium on the History of Art, April 7-8, 2000
"The Politics of Propaganda: A Study of Foreign Soldiers in the Reliefs of Angkor Wat," Jennifer Foley, Cornell University
"Painting and Oratory at Santa Maria sopra Minerva: The Rhetoric of Comparison," Karen A. Wolf, Bryn Mawr College
"Borromini, the Pamphili, and the Family Tomb that Might Have Been: Reconsidering Innocent X's Chiesa Nuova Chapel Project," Brian C. Clancy, Rutgers University
"The Convent of Saint-Jean-aux-Bois: An Exemplar of Female Monastic Architecture?," Patricia C. Pongracz, Brown University
"Charades: Adélaïde Labille-Guiard's Self Portrait with Two Students (1785)," Laura Auricchio, Columbia University
"The Iconography of Feminine Sensation and French Cultural Identity at the Petit Palais," James B. Hargrove, University of Pennsylvania
"Modes of Visual Apprehension in Henry Fox Talbot's The Pencil of Nature," Robin E. Kelsey, Harvard University
"Representing the 'New Negro': Winold Reiss and the Harlem Renaissance," Sydelle Rubin, Boston University
"'Un Chien andalou' Reviewed: Story and History," Natsuko Fujiu, The Graduate School and University Center of the City University of New York
"Early Rauschenberg and the Aesthetic of Memory," Chad A. Weinard, New York University
"The Intimate Gallery, the Equivalents and the Cosmos: Spirituality in the 1920s Work of Alfred Stieglitz," Kristina Wilson, Yale University
"Jacques-Henri Lartigue: Invention of an Artist for the History of Photography," Kevin Moore, Princeton University
"Demolition and Tradition: The National Museum and Postcolonial Identity in Korea," Hong Kal, State University of New York at Binghamton
"Bloodletting," Mark Denaci, University of Rochester
Symposium on the History of Art, March 30-31, 2001
" L. Mammius Maximus P.S.: An Imperial Statuary Cycle for the Porticus at Herculaneum," Margaret L. Laird, Princeton University
"The Ivrea Casket as Index of Byzantine-Islamic Artistic Interaction," Alicia W. Walker, Harvard University
"Problems in Titian, Reconsidered: The Doria Pamphili Salome in the Context of Northern Italian Iconography," Victoria Reed, Rutgers University
"Beautiful Bride and Model Mother: St. Catherine of Alexandria in Sixteenth Century Venice," Stacey Kaplan, Cornell University
"Style, Content and Discontent in Adam Elsheimer's Il Contento," Michelle Lang, Bryn Mawr College
"The Emperor's Drawing Kit: Maps, Landscapes, and Politics in Early Qing China," Chin-sung Chang, Yale University
"Who Exiled David?," Daniel Harkett, Brown University
"The Structure of Modernism in the Neo-Impressionist Works of Camille Pissarro," Cora Michael, New York University
"Harmonies in Three Dimensions: Japonisme and Aestheticism in J.M. Whistler's Exhibition Designs," Ellen E. Roberts, Boston University
"Abeceda (1926): A Czech Contribution to the 'Era of the ABC,'" Matthew Witkovsky, University of Pennsylvania
"The Automatic Image: Man Ray's Atgets," Susan Laxton, Columbia University
"'Destroyed by the Author': Re-constructing Chavez Morado's The City of 1949," Ana Isabel Perez-Gavilan, State University of New York at Binghamton
"Modernity and Englishness: Kitchen Sink Realism in the 1950s," Lucy Curzon, University of Rochester
"The Topography of Robert Smithson's Magazine Art," Rhea Anastas, The Graduate School and University Center of the City University of New York
Symposium on the History of Art, April 12-13, 2002
"Repositioning the Grand Camée de France," Elizabeth Marlowe, Columbia University
"Archaism and Spirituality: Tintoretto's Representation of the Apocalyptic Woman," Benjamin Paul, Harvard University
"Sacred Villeggiatura: Cardinal Agostino Valier, Domenico Brusasorzi, and the Ideology of an Episcopal Villa," Christopher Pastore, University of Pennsylvania
"Dhanasri Ragini: Conventions of Portraiture in Rajput Painting," Virginia Anderson, Boston University
"Viewing Copies and the Compromise of Monocular Power in the Ancien Régime," Benedict Leca, Brown University
" Public Opinion: Art, Museums, and the Public in Victorian England," Jamie W. Johnson, The Graduate School and University Center of the City University of New York
"Mapping the Motherland: Jacek Malczewski's Melancholia (1890-1894) and Polish Symbolism," Marcelle M. Polednik, New York University
"Coming into Sight: Learning to See Robert Delaunay's Windows," Gordon Hughes, Princeton University
"Re-examining Modernity in South Asian Art," Iftikhar Dadi, Cornell University
"Saturating the Surface: Cultural Reflections on Italian Modernist Architecture," Jennifer Hirsh, Bryn Mawr College
"Futurism Underground: Max Weber, Joseph Stella and the New York City Subway," Tracy Schpero Fitzpatrick, Rutgers University
"'Pictures Made of Wool': Gender and Labor at the Bauhaus Weaving Workshop (1919-1923)," T'ai Smith, University of Rochester
"Danger, Safety, and the Hand: Gerald Murphy's Razor," Christopher Swan, Yale University
"Invitation to the Other: Cultural and National Identities around the 1993 Whitney Biennial in New York and Seoul," Jina Kim, State University of New York at Binghamton
Symposium on the History of Art, March 28-29, 2003
"The Stele of the Arkadian Nymphs: A Reading of an Aniconic Greek Monument," Milette Gaifman, Princeton University
"Narrative, Map-Making, and Roman Landscape Painting," J. Keith Doherty, Boston University
"Li Song's Skeleton Puppet Show, or How to Paint Skeletons in Southern Song (1127-1279) China," Sandrine Larrivé-Bass, Columbia University
"Actaeon's Two Deaths and the Poet-Lover's Tragedy in a Painting by Titian," Patricia Zalamea, Rutgers University
"Jacob Jordaen's Satyr and Peasant: Animal Painting in Seventeenth Century Antwerp," J. Irene Schaudies, Brown University
"Married With Collections: Aletheia Talbot and Thomas Howard in the Mytens' Pendant Portraits," Jennifer Hallam, University of Pennsylvania
"A Reconstruction of the Seventh Century B.C.E. Temple of Corinth," Philip Sapirstein, Cornell University
"'Make the cupola beautiful…more beautiful than that of Capriola': Architecture and Emulation in Renaissance Siena and Urbino," Trinita Kennedy, New York University
"A Democratic Monument for the Empire City: Henry Kirke Brown's George Washington (1856)," Karen Lemmey, The Graduate Center, City University of New York
"Identity, Monumentality, Security: Building a Monument in Early Republican Ankara," Bulent Batuman, State University of New York at Binghamton
"The Cultivated Eye: Sanford Robinson Gifford's Kaaterskill Clove and the New Cultured Aristocracy in America," Ethan Lasser, Yale University
"Portrait of the Artist as a Young Ladybird," Alison Mairi Syme, Harvard University
"Establishing Contexts for the 'First Exhibition' of Inuit Art in 1949," Norman Vorano, University of Rochester
"'Please Direct Your Attention to the Center Ring': Desire, Narrativity and Bruce Nauman's Clowns," Maxim Weintraub, Bryn Mawr College
Symposium on the History of Art, April 16-17, 2004
"The Spoils of War: Visualizing the Manubial Temples of Republican Rome," Mailan Doquang, New York University
"An Eclectic Locus Artis: The Casa di Octavius Quartio in Pompeii," Francesca Tronchin, Boston University
"Raphael's Transfiguration and the Visionary Altarpiece," Christian Kraemer Kleinbub, Columbia University
"The Powers of Identity: William Sidney Mount and the Politics of Representation," Derek Conrad Murray, Cornell University
"Veiled Identities: George Caleb Bingham's Fur Traders Descending the Missouri and the American Art-Union in 1845," Kimberly Curtiss, Rutgers University
"Absolute Zero: Harriet Hosmer and the Feminine Sublime," Gabrielle Gopinath, Yale University
"Juliana Anicia and Female Imperial Patronage in Early Byzantium," Diliana N. Angelova, Harvard University
"Checkerboard: Complexities of the Grid in the American Southwest," Karen L. Rogers, Binghamton University
"Facing the Sphinx of Tradition: Gustave Moreau's Oedipus in 1864," Scott Allan, Princeton University
"Gauguin's Immersion In the Waves," Heather Lemonedes, The Graduate Center, City University of New York
"Picasso's Puppets: Petrouchka, Pierrot, and Parade," Juliet Bellow, University of Pennsylvania
"Skinning the World: Perception, Signification, and Andy Warhol's Gem Paintings," Michael Jay McClure, Bryn Mawr College
"Hi Red Center's Shelter Plan: The Uncanny Body in the Imperial Hotel," Taro Nettleton, University of Rochester
Symposium on the History of Art, April 15-16, 2005
"Jewelry as Performative Art at Ur in Mesopotamia," Kim Benzel, Columbia University
"Mere Matter into Spirit: Donatello's St. Louis of Toulouse," David Boffa, Rutgers University
"Evidence and Authority in Hans Burgkmair the Elder's True Portraits of Christ," Ashley West, University of Pennsylvania
"The Art of Conversion: Educational Models of the Colegio de San Andrés, Quito," Andrea Lepage, Brown University
"Marie Antoinette's Dairy at Rambouillet: Milkmaids, Shepherds, and the French State in the 1780s," Meredith Martin, Harvard University
"Proudhon Preempted: A Mystery Guest in Courbet's Studio," Karen Leader, New York University
"An 'Aesthetical Daguerreotype': Southworth and Hawes's Portrait of a Young Girl," Anna Kamplain, Boston University
"The Mechanical Eye: Considering the Photographs of Edgar Degas," Soraya Murray, Cornell University
"Material Matters: Observations on the Relationship between Painting and Writing in the Work of Marc and Kandinsky," Linda Leeuwrik, Bryn Mawr College
"Beyond The Gross Clinic: H.H. Moore's Almeh and the Forgotten Scandal of the Centennial Exhibition," Kimberly Orcutt, The Graduate Center, City University of New York
"Running on Empty: The Late 1950s Paintings of Willem de Kooning and American Highway Culture," John J. Curley, Yale University
"Robert Ryman's Abstraction: An Open Question," Suzanne P. Hudson, Princeton University
"White Walls and Local Color: James Turrell's 'LA Look'," Catherine Zuromskis, University of Rochester
"Art, Cultural Identity and Politics: Hong Kong in Transition," Meiqin Wang, Binghamton University
Symposium on the History of Art, April 7-8, 2006
"'From "Iustitia Saecularis" to 'Iustitia Divina': Romanesque Column-Bearing Lions from Italian Porch Portals," Giovanna de Appolonia, Boston University
"Bruegel, Leprosy, and Mirth," Yemi Onafuwa, Columbia University
"Success and Failure: Bronzino's Martyrdom of Saint Lawrence," Zlatan Gruborovic, Bryn Mawr College
"The Imperfect Chapel, an Ever-Frustrated Royal Pantheon (1495-1535)," Nuno Senos, New York University
" Surname-I Vehbi and the Okmeydani Phase of the Circumcision Festival of 1720: A Study on Site, Structure, and Meaning," Saygin Salgirli, Binghamton University
"Rebuilding the Bridge of Bassano: Forging the Palladian Canon in the Eighteenth Century," Daniel McReynolds, Princeton University
"'It is Impossible to Travel without Improvement…': The Grand Tour of Martha Coffin Derby," Jessica Lanier, Bard Graduate Center
"The Fragment in Representation: Louis Dupré in Greece, 1819," Randy Innes, University of Rochester
"Hired Hands, Fired Bodies: Extinguishing Male Desire in The Ironworkers' Noontime and The Floorscrapers," John Corso, Jr., Cornell University
"Between Amateur and Dilettante, the Serious American Woman Art Student," Amanda C. Burdan, Brown University
"John Sloan's Social Conscience: Paintings by An American Democratic Socialist," Sascha Scott, Rutgers University
"Hugh Stubbins' Berlin Congress Hall and the Architecture of Democracy," Emily Pugh, The Graduate Center, City University of New York
"Guns and Rhodes: Land, Memory and Modernity in Harare's Built Environment, 1890-1990," Gemma Rodrigues, Harvard University
"'Do-it-Yourself': Jean Tinguely's Méta-Matics at the Galerie Iris Clert," Meredith Malone, University of Pennsylvania
"Donald Judd's Cold War Monuments," Robert Slifkin, Yale University
Symposium on the History of Art, April 20-21, 2007
"Kourotrophos: Hermes and Dionysos to the Virgin and Child," Elizabeth Kessler, Princeton University
"The Portrayal of Egypt at the Sydenham Crystal Place," Alexis Goodin, Brown University
"Revisioning a Tibetan-Buddhist Temple," Melissa R. Kerin, University of Pennsylvania
"History and Myth: Reading Srirangam's 'Past' in Its Contemporary Spatiality and Historical Representations," Shriya Sridharan, Binghamton University
"Pastoral America: Physiognomy and Degeneracy in Agrarian Tropes of Democracy," Nicole Casi, Cornell University
"The Demand for Visual Authority: Fernando de Szyszlo and the Problem of 'Peruanidad'," Luis Castañeda, New York University
"Matisse and Byzantium, or Mechanization Takes Command," David Lewis, The Graduate Center, City University of New York
"'Nothing if not of the Moment': Confronting Claude Cahun, Encountering History," Claire L. Sykes, University of Rochester
"About Time: On the Denial of Narrative in the Battle Mural at Cacaxtla," Claudia Brittenham, Yale University
"From Father Time to Measured Time: Clocks in Eighteenth-Century France," Amy Sande-Friedman, Bard Graduate Center
"A Clementine Conceit: Papal Intention and Sacred Decoration in St. Peter's," Erin Benay, Rutgers University
"The Great Executive Dream: George Maciunas, Adriano Olivetti and Fluxus Incorporated," Mari Dumett, Boston University
"The Delusion of Delight: Melancholy in the Work of Bosch," Anna Ratner, Columbia University
"Rembrandt's Samson and Delilah: A Study of Intimated Interiors," Rima Girnius, Bryn Mawr College
"'This artist has a poetic verve': Pierre-Paul Prud'hon at the Salon of 1808," Elizabeth M. Rudy, Harvard University
Symposium on the History of Art, April 11-12, 2008
"Video Loops: Rethinking Narcissism in Video Practice," Jeremy Culler, Binghamton University
"Invoking Charlie Chan: Basquiat's Hornplayers as an Imprint of Racial Tensions," Kenneth Hartvigsen, Boston University
"'Traditional--Compositional, Pictorial, and Hierarchical': Rasheed Araeen's Search for the Conceptual and the Political in British Sculpture," Courtney J. Martin, Yale University
"4-Dimensional Crystals: Paul Sharits's Flicker Films," William Smith, New York University
"Constructing Amerika: The Role of Photography in Erich Mendelsohn's Photo Books," John P. Casey, The Graduate Center, City University of New York
"Swastikas and Soap: Silvia Gruner's The Birth of Venus," Jessica Horton, University of Rochester
"Radical Reform and the Modern School in 1930s Mexico City," Kathryn E. O'Rourke, University of Pennsylvania
"Reinventing Tradition in Japanese Architecture: Katsura (1960), a photographic collaboration by Ishimoto Yasuhiro and Tange Kenzo," Yasufumi Nakamori, Cornell University
"Ivory Women in the Neo-Assyrian Royal Court," Amy Gansell, Harvard University
"Interior Motives: The Virgin abridera in the Iberian Peninsula," Melissa R. Katz, Brown University
"A 'Touching" Image': Andrea Mantegna's Engraving of the Virgin and Child," Susannah Fisher, Rutgers University
"Giovanni Bellini: The Sacred Dawn," Susannah Rutherglen, Princeton University
"A Study in Temporality: The Role of the Vladimir Mother of God with Feasts and Saints in the Rise of Sixteenth Century Muscovy," Marie E. Gasper-Hulvat, Bryn Mawr College
"The Tyranny of Usage and Claude Perrault's Architectural Theory," Carolyn Yerkes, Columbia University
"Readings and Misreadings: The William Morris Circle and The Prioress's Tale Wardrobe," Allison Stielau, Bard Graduate Center
Symposium on the History of Art, April 3-4, 2009
"The Photographic Reproduction of Space: Wölfflin, Kracauer, Panofsky," Megan R. Luke, Harvard University
"'What's In a Name?': Photography, Nomenclature, and the Reconfiguration of Visual Truth, 1840-1911," Yi Gu, Brown University
"Without Medium: A Consideration of Loss via Thomas Demand," Carrie Robbins, Bryn Mawr College
"Reproducing Gérôme," Emerson Bowyer, Columbia University
"John Cage's Vexations: A Long, Long, Long Night (and Day)," Clare Davies, New York University
"White Walls, High Culture: Yves Klein and André Malraux in late '50s Paris," Godfre Leung, University of Rochester
"A Living Museum: Nationalizing Bodies in Niger," Amanda Gilvin, Cornell University
"Against the Tide: Edward Hopper's Rooms by the Sea and Abstract Expressionism," Mary Dailey Pattee, Yale University
"Cigoli's Color and the Revival of Andrea del Sarto," Lisa Bourla, University of Pennsylvania
"Parallel Lives: Mantegna's Exemplars and the Limits of Imitation," Francis Fletcher, Rutgers University
"Piranesi as Interpreter of the Renaissance," Joanna D. Heinrichs, Princeton University
"The Restoration of Antoine-Jean Gros: Mythology in Bacchus and Ariadne," Katie Hansen, The Graduate Center, City University of New York
"Mario Praz, an Art Historian at Home: Collecting, the Romantic Interior, and the Domestication of the Sublime," Shax Riegler, Bard Graduate Center
"From Redemption to Rehabilitation: Hansel Mieth, LIFE Magazine, and the Transformation of Twentieth Century Maternity Homes," Dalia Habib Linssen, Boston University
"The Modern House in Question: Gender, Domesticity, and the Making of a Lower-Middle-Class Residential Culture in 1930s Ankara," Kivanc Kilinc, Binghamton University
Symposium on the History of Art, April 16-17, 2010
"Revisiting the 1960s, Globalization, Monopoly, and Art Outlaws: Yayoi Kusama and the Rise of the Leo Castelli Gallery," Midori Yamamura, The Graduate Center, City University of New York
"A History of the Feminist Claim for Lee Bontecou's Steel and Canvas Reliefs," Lesley Shipley, Bryn Mawr College
"'A 15,000-Mile Journey': Life Magazine's Illuminations," Melissa Renn, Boston University
"Studies in Euphoric Structure: Affect, the Grid, and Lucinda Child's Dance, Thirty Years Later," Amanda Graham, University of Rochester
"The Family Commodity: Almira Edson's Illustrated Family Registers," Erin E. Eisenbarth, Bard Graduate Center
"The Eighteenth-Century Maps of Istanbul's Water Supply: Social Hierarchies and Architectural Encounters," Deniz Karakas, Binghamton University
"The Vietnamese Cityscape as Palimpsest of Modernities," Pamela Nguyen Corey, Cornell University
"Stateless Architecture," Anooradha Siddiqi, New York University
"The Image of the Disappearing Emperor: The Apotheosis in Roman Art," Patrick R. Crowley, Columbia University
" Rex illi similis: Rudolf of Rheinfelden and a Simple Twist of Fate," Shirin Fozi, Harvard University
"Simone Martini's Louis of Toulouse Panel in Naples and Its Invented Prototype," Sarah K. Kozlowski, Yale University
"The Blessed Sacraments and their Ecclesiastical Overseers: Visualizing Salvation in a Fifteenth Century Flemish Tapestry," Carly Jane Steinborn, Rutgers University
"The Virgin of Le Puy and the Malleability of Early Modern Prints," Elisa A. Foster, Brown University
"Art, Astrology, and the Apocalypse: Holbein's Horological Drawings for Sebastian Münster," Jennifer A. Morris, Princeton University
"'Fleurs d'Artifice': Odilon Redon, Color, and Vision," Isabel Suchanek, University of Pennsylvania
Symposium on the History of Art, April 15-16, 2011
"Painting Instruction: C.W. Eckersberg and Artistic Labor in the Danish Golden Age," Leslie Anne Anderson, The Graduate Center, City University of New York
"An Interface between Script and Print: The Syria Mission's Arabic Bible of 1860," Hala Auji, State University of New York at Binghamton
"Cultural Encounters: The Making and Meaning of William M. Harnett's The Social Club," Nika Elder, Princeton University
"Seeing and Knowing: Visualizing Mental Illness in Fin-de-Siècle Vienna," Olivia Gruber Florek, Rutgers University
"Institutionalizing the Artist's View: The Viewsheds of Frederic Edwin Church and Winslow Homer," Leslie K. Brown, Boston University
"The Unheard Stella and the Shaped Canvas," Rebecca Dubay, Bryn Mawr College
"Editing Andy Warhol's Readymade Novel," Lucy Mulroney, University of Rochester
"Bronze Dwarfs in the Hellenistic World: A Look at the New York Dwarf," Lillian Bartlett Stoner, New York University
"The Strange Disappearance of Su Shi in Red Cliff," Wei Jiang, Brown University
"Horizontal Stripes Make You Look Thin: The Surprising Effects of the Interior Decoration of Siena's Cathedral," Jessamyn Conrad, Columbia University
"Between the Heavens and the Earth: Dürer's Self Portrait of 1493," Shira Brisman, Yale University
"Signs before the People: Moretto da Brescia, Bishop Ugoni and Their Pictures of Theophany," Kirk Nickel, University of Pennsylvania
"François Boucher's Five Chinese Senses," David Pullins, Harvard University
"A Place for India: Early Collections at the Freer Gallery of Art," Brinda Kumar, Cornell University
"'When Antiques Come to Judgement': Collectors, Dealers, Appraisers, and the 1909 United States Tariff Act," Eleanor Sarah Dew, Bard Graduate Center
Symposium on the History of Art, April 20-21, 2012
"'The Death of Pain': Ether and Its Visualization Through Documentary Photography," Naomi Slipp, Boston University
"The 'Art Photography Exhibition' of 1929: The Rise of Yesul Sajin and Changing Conceptions of Aesthetics in Colonial Korea," Hye-ri Oh, State University of New York at Binghamton
"Cinema as Medium in Bruce Conner's A MOVIE," Johanna Gosse, Bryn Mawr College
"Modernism in the Age of Automation: David Smith in Italy," Robert Brennan, New York University
"Robert Irwin's Theory of Painting," Alex Bacon, Princeton University
"The Use of Ephemera in Queer Visual Politics in New York City, 1991-1995," Tara Burk, The Graduate Center, City University of New York
"Beyond Censorship: Back Seun Woo's Blow Up (2005) and North Korean Politics of Looking," Sohl Lee, University of Rochester
"On the Wings of Time: A Phenomenological Reading of Lysippan Kairos," SeungJung Kim, Columbia University
"'Shine upon all who are in the house': The Politics of Illumination at the Cloister of Santa Maria Nuova at Monreale," Kristen Streahle, Cornell University
"Lorenzo de' Medici's Magnificent Cups," Eva Helfenstein, Harvard University
"An Attribute of Martial Prowess: Alessandro Farnese and the Scheldt River Blockade," Lisa Tom, Brown University
"The Sight and Sound of Alchemy: Michael Maier's Emblem Book, Atalanta fugiens (1617)," Donna Bilak, Bard Graduate Center
"Antoine Watteau's Nineteenth Century Masterpiece: Pierrot, dit Gilles," Marika Knowles, Yale University
"Eastman Johnson's Tramp and the Politics of Mobility in the United States," Lacey Baradel, University of Pennsylvania
"Whistler's Body at West Point," Justin McCann, Rutgers University
Symposium on the History of Art, April 19-20, 2013
""Figure in the Landscape': Abbott Thayer's Camouflage," Maggie M. Cao, Harvard University
"The Secularized Guadalupe: Mexican National Identity at the Beginnings of Muralism," Sean Nesselrode, New York University
"A Living Art:" Resistance, Redemption, and the Danish Avant-Garde during World War II," Kerry Greaves, The Graduate Center, City University of New York
"'Is It Jazz? Is It Static? Is It Op Art?': The Early Museum Events of Merce Cunningham," Jenevive Nykolak, University of Rochester
"Short Circuit: Marcel Broodthaers's Meta-Pop in the Channels of the European Art Market, 1964-1967," Michael Sanchez, Columbia University
"Exposed: Process, Couture, and Photography in Marfa, Texas," Josh T. Franco, Binghamton University
"Self-Representation of the Multitude: Franco Vaccari's Photobooth Projects in the 1970s," Martina M. Tanga, Boston University
"Sonali Gulati's I AM: Mourning and Kinship in Queer Indian Documentary," Natasha Bissonauth, Cornell University
"Liberating the Gods: The Permeability of the Frame on Classical Greek Votive Reliefs," Carolyn Laferrière, Yale University
"Dynamics of Subjectivity: Self, Devotion, and Representation in a Fourteenth Century Book of Hours," Maeve Doyle, Bryn Mawr College
"Drawing Bridges: Leonardo da Vinci on Mastering Nature," Leslie A. Geddes, Princeton University
"Rediscovering St. Cecilia: Stefano Maderno's Santa Cecilia and the Jubilee of 1600," Kelly Whitford, Brown University
"Ignatius, Christ, and Fire in Baciccio's Triumph of the Name of Jesus (1677-1679) at the Gesù in Rome," Reshma Nayyar, Rutgers University
"The Poetics of Interior Drapery in Eighteenth Century France: Space, Sociability, and Body," Mei Mei Rado, Bard Graduate Center
"William Chambers' Somerset House and the Legacy of Italian Humanism in Late Eighteenth Century Britain," Miranda Routh, University of Pennsylvania
Symposium on the History of Art, April 25-26, 2014
" Dessins Bamum: Inventing Images in the Bamum Kingdom, 1895-1940," Jonathan Fine, Princeton University
"Edward Weston in Mexico: The American Artist," Monica Bravo, Brown University
" Kitsch oder Kunst? Georg Scholz and Satirical Realism after Dada," Shannon Connelly, Rutgers University
"Out of Her Depth: Impossible Shadows in the Silhouette Films of Lotte Reiniger," Katherine Rochester, Bryn Mawr College
"A Farsighted Thing to Have Done: Walker Evans's Subway Photographs," Kara Fiedorek, New York University
"A Socialist Renaissance: Construction Sites in Warsaw, 1952-1956," Nikolas Drosos, The Graduate Center, City University of New York
" Sublime Affects: Colombian Contemporary Art and the Horrors of War," Rubén Darío Yepes Muñoz, University of Rochester
" Mundus alter: Paolo Veneziano (ca. 1290-1358/1362) and the Insulated Pictorial World of Gothic Venice," Christopher Platts, Yale University
"Hell's Bell: Agency and Exile in the Piagnona of San Marco," Daniel Michael Zolli, Harvard University
"Venus on Balance: Botticelli's Venus and Mars and the Crux of the Female Nude in the Italian Renaissance," Catherine O'Reilly, Boston University
"'London's Nonsuch': The 'Pawn' of the Royal Exchange After the Great Fire of London," Hyeyun Chin, Binghamton University
" The Abduction of Helen (to China): A Seventeenth Century Chinese Wall Hanging with a European Subject," Joyce Denney, Bard Graduate Center
"The Treasures of the Sea: Color and Edo Print Culture," Jeannie M. Kenmotsu, University of Pennsylvania
"Broken Lines: Anne-Louis Girodet's Une Scène de Déluge (1806)," Stephanie O'Rourke, Columbia University
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Finding Aid for The Frick Collection Symposium on the History of Art Records, 1939-1982 TFC.0600.030

Table of Contents

Summary Information

Preferred Citation

Historical Note

Scope and Content

Arrangement

Administrative Information

Access Restrictions

Accruals Note

Processing Information

Controlled Access Headings

Corporate Name(s)

Personal Name(s)

Subject(s)

Collection Inventory

Symposium on Art and Archaeology, February 23, 1940

Symposium on Art and Archaeology, April 5, 1941

Symposium on Art and Archaeology, March 28, 1942

Symposium on Art and Archaeology, April 2, 1949

Symposium on Art and Archaeology, April 7, 1951

Symposium on the History of Art, April 11, 1953

Symposium on the History of Art, April 16, 1955

Symposium on the History of Art, April 6, 1957

Symposium on the History of Art, March 21, 1959

Symposium on the History of Art, April 8, 1961

Symposium on the History of Art, March 30, 1963

Symposium on the History of Art, April 10, 1965

Symposium on the History of Art, April 15, 1967

Symposium on the History of Art, April 25-26, 1969

Symposium on the History of Art, April 23-24, 1971

Symposium on the History of Art, April 28-29, 1972

Symposium on the History of Art, April 27-28, 1973

Symposium on the History of Art, April 19-20, 1974

Symposium on the History of Art, April 18-19, 1975

Symposium on the History of Art, April 9-10, 1976

Symposium on the History of Art, April 22-23, 1977

Symposium on the History of Art, April 14-15, 1978

Symposium on the History of Art, April 20-21, 1979

Symposium on the History of Art, April 11-12, 1980

Symposium on the History of Art, April 3-4, 1981

Symposium on the History of Art, April 2-3, 1982

APPENDIX - List of Symposia Topics and Speakers, 1940-2014

Symposium on Art and Archaeology, February 23, 1940

Symposium on Art and Archaeology, April 5, 1941

Symposium on Art and Archaeology, March 28, 1942

Symposium on Art and Archaeology, April 4, 1947

Symposium on Art and Archaeology, April 2, 1949

Symposium on Art and Archaeology, April 1, 1950

Symposium on Art and Archaeology, April 7, 1951

Symposium on the History of Art, March 29, 1952

Symposium on the History of Art, April 11, 1953

Symposium on the History of Art, April 10, 1954

Symposium on the History of Art, April 16, 1955

Symposium on the History of Art, April 7, 1956

Symposium on the History of Art, April 6, 1957

Symposium on the History of Art, March 29, 1958

Symposium on the History of Art, March 21, 1959

Symposium on the History of Art, April 2, 1960

Symposium on the History of Art, April 8, 1961

Symposium on the History of Art, April 7, 1962

Symposium on the History of Art, March 30, 1963

Symposium on the History of Art, April 4, 1964

Symposium on the History of Art, April 10, 1965

Symposium on the History of Art, April 16, 1966

Symposium on the History of Art, April 15, 1967

Symposium on the History of Art, April 26-27, 1968

Symposium on the History of Art, April 25-26, 1969

Symposium on the History of Art, April 25-26, 1970

Symposium on the History of Art, April 23-24, 1971

Symposium on the History of Art, April 28-29, 1972

Symposium on the History of Art, April 27-28, 1973

Symposium on the History of Art, April 19-20, 1974

Symposium on the History of Art, April 18-19, 1975

Symposium on the History of Art, April 9-10, 1976

Symposium on the History of Art, April 22-23, 1977

Symposium on the History of Art, April 14-15, 1978

Symposium on the History of Art, April 20-21, 1979

Symposium on the History of Art, April 11-12, 1980