Christina Neilson

In this exhibition, Parmigianino’s Antea, a special loan from the Museo di Capodimonte in Naples, was exhibited in the United States for the first time in more than twenty years. Although it is widely recognized as a masterpiece of Italian Renaissance female portraiture, little is known about the painting: its date is not firmly established, it is unclear why or for whom the portrait was painted, and the sitter’s identity is a mystery.