Drawings
Past Exhibition: From Pisanello to Whistler
In celebration of the publication of the ninth and final volume of the series of comprehensive catalogues of The Frick Collection, a selection of works on paper were placed on view in the Cabinet. Although Henry Clay Frick was interested primarily in paintings, he did periodically acquire drawings and prints throughout his collecting career. Following his death in 1919, the museum has continued to purchase, on occasion, important examples of graphic art; its collection of works on paper, though small, is one of high quality.
Past Exhibition: Drawings from the Smith College Museum of Art
Past Exhibition: Master Drawings from the National Gallery of Scotland
Past Exhibition: Henry Clay Frick as a Collector of Drawings
Marking the 150th Anniversary of the birthday of founder Henry Clay Frick (1849–1919), this small exhibition drew attention to a lesser-known aspect of the broad collecting interests of the museum's founder. Ten drawings that Mr. Frick acquired between 1913 and 1916 — including examples in various media by Rembrandt Harmensz van Rijn, Thomas Gainsborough, Daniel Gardner, and James McNeill Whistler — were on view in the Cabinet Gallery in the museum's first floor, along with related documents and photographs. Though Mr.
Past Exhibition: Michelangelo to Picasso
This major spring exhibition featured masterpieces on paper selected not only to demonstrate the superb holdings of this illustrious Austrian institution, but to chronicle the major assets acquired during the tenure of each of its directors. Works by Rembrandt and Dürer were featured as well as twentieth-century masters acquired by the present regime.
Past Exhibition: Watteau and His World
Past Exhibition: French and English Drawings from the National Gallery of Canada
This exhibition of sixty-seven drawings from the collection of the National Gallery of Canada was organized by that museum in collaboration with The Frick Collection. It offered a rich sampling of the treasures assembled by the Department of Prints and Drawings since its founding in 1921, including works by Boucher and Degas acquired only last year. On the English side, artists represented include Bonington, Constable, Flaxman, Hogarth, Palmer, and Turner; among the French artists are Courbet, David, Delacroix, Fragonard, Greuze, Redon, and Watteau.
Past Exhibition: Figurative Invention
This exhibition presented drawings from the fifteenth to nineteenth centuries that displayed several modes of depicting figures. Some were drawings of figures or costumes copied from life and intended as preparatory studies for painted compositions. Others were individual or grouped figures that spring from the artist's imagination or are based on his observation of the world around him. Whether compositional studies or finished works of art, all the drawings focused on the figure as a means of exploring form, narrative, or individual spirit.
Past Exhibition: Fuseli to Menzel
The age of Goethe, Beethoven, and Kant was also a brilliant period for the visual arts in Germany. This exhibition — culled from the holdings of the Winterstein family of Munich, the world's most comprehensive and important private collection of German drawings and watercolors of the late eighteenth and early nineteenth centuries — afforded viewers an opportunity to study fine works by forty-nine artists from the greatest period of German drawing.