Aimee Ng

Curator Aimee Ng is a Research Associate at The Frick Collection. More »

 

What's Her Story: Elsie de Wolfe

video still of What's Her Story, woman wearing orange colored dress, sitting in chair

The year 2020 marks the one-hundredth anniversary of the ratification of the 19th Amendment, which granted millions of women in the U.S. the right to vote. The Frick is celebrating with a series of videos honoring the stories of women who made, appeared in, collected, and took care of art in this collection.

In the second-to-last episode, meet Elsie de Wolfe, America's first professional interior designer, who decorated the Frick's Fifth Avenue home. #WhatsHerStory

What's Her Story: Miss Mary Edwards

video still of What's Her Story, oil painting of woman in red and white seated

The year 2020 marks the one-hundredth anniversary of the ratification of the 19th Amendment, which granted millions of women in the U.S. the right to vote. The Frick is celebrating with a series of videos honoring the stories of women who made, appeared in, collected, and took care of art in this collection.

Curator Aimee Ng is continuing the series with a look at a portrait of Miss Mary Edwards, a woman who took her life and legacy into her own hands. #WhatsHerStory

Travels with a Curator: St. James's Park, London

video still of Aimee Ng and oil painting of group walking in park
In this week’s episode of “Travels with a Curator,” explore the history of St. James’s Park with Curator Aimee Ng. This popular attraction in London serves as the backdrop for Thomas Gainsborough's “Mall in St. James’s Park,” which he painted about 1783 for George III. Originally a cockleshell-strewn court for playing pall-mall, a precursor of croquet, the Mall was a place of visual encounters, where fashionable 18th-century Londoners (and their pets) could see and be seen.

Frick Five: Nathan Flis

video still of Aimee Ng and Nathan Fils with art

In the seventh episode of “Frick Five,” Curator Aimee Ng interviews Nathan Flis, Head of Exhibitions and Publications, and Assistant Curator of 17th-Century Paintings, Yale Center for British Art. Nathan reflects on the intersection of life and art, discussing his roles as curator, painter, diarist, etcher, gardener, father, and son. He also reconsiders the legacy of one of the 20th century’s biggest names.

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