One Hundred Years at the Library: Monuments Men and Women
January 27, 2023
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January 27, 2023
April 21, 2022
Jacob van Ruisdael (1628/29–1682)
Landscape with a Footbridge, 1652
Oil on canvas
38 3/4 x 62 5/8 in. (98.4 x 159.1 cm)
Purchased by The Frick Collection, 1949
Accession number: 1949.1.156
For more information, see Landscape with a Footbridge
The Frick Collection presented a selection of paintings, drawings, prints, and photographs related to Giambattista Tiepolo’s first significant project outside of Venice, a series of ceiling frescoes for Palazzo Archinto in Milan that were destroyed during World War II.
During World War II, The Frick Collection underwent its first complete rearrangement since it was opened to the public in 1935. The removal of a number of works of art to a place of safety made possible an interesting and attractive rehanging of all the galleries. Many paintings were available for study in different settings. Pictures long off display were seen again. Drawings and prints by Rembrandt, Titian, Rubens, Dürer, Whistler, and others were placed on exhibition for the first time; as was a newly acquired painting by Monet and a set of watercolor drawings by William Blake.
Stephen J. Bury, Andrew W. Mellon Chief Librarian, presents a group of maps, guides, photos, and other objects related to the Frick Art Reference Library’s involvement in cultural preservation during World War II. From July 1943 to January 1944, the institution closed to the public to serve as the headquarters of the Committee on the Protection of Cultural Treasures in War Areas, part of the so-called Monuments Men program—a rare but pivotal time the library’s century-long history intersected with major world events.
The Monuments Men were a multinational group of 350 men and women who volunteered for military service in order to protect monuments and other cultural treasures from destruction during World War II. In civilian life, many of them were museum directors, curators, artists, architects, and educators. These dedicated men and women tracked, located, and ultimately returned to their rightful owners more than five million artworks and cultural items stolen by Hitler and the Nazis. Their role in preserving Europe’s cultural treasures was without precedent.
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