From Mansion to Museum: The Frick Collection Celebrates
Seventy-Five Years
On view from June 22 through September 5, 2010
John Russell Pope (1873–1937)
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John Russell Pope photographed by Pirie MacDonald, c.1916, Collection of the American Academy of Arts and Letters, New York |
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John Russell Pope’s training at Columbia University, a subsequent scholarship to the American Academy in Rome to study the architecture of Italy and Greece, and his enrollment in the École des Beaux-Arts, Paris,
nurtured his enthusiasm for classical architectural styles. Returning to New York in 1900, he joined
the office of Bruce Price while also accepting freelance assignments from McKim, Mead & White.
In
1905 Pope opened his own practice; his firm’s projects would range from commemorative monuments
to palatial residences to grand public buildings. Among his most famous commissions (some carried
out posthumously) are the National Archives, Washington, D.C.; the addition to The British
Museum, London, to house the Parthenon marbles; the West Building of the National Gallery of Art,
Washington, D.C.; and the Jefferson Memorial.
Pope’s Garden Court was a key element in his proposed scheme for the creation of The Frick Collection.
An inspired design, which enclosed the mansion’s former exterior courtyard under glass, the Frick’s
Garden Court prefigured Pope’s designs for similar courts in the National Gallery of Art. |