prokop's blog

The Lost Bride

Lost or destroyed paintings are perhaps the most painful reminder of the importance of photoarchives and similar repositories of images and accompanying metadata. An unfortunate example is this portrait of a young bride.

Analog Facial Recognition

Beginning in 1925, Helen Clay Frick hired the Italian photographers Mario Sansoni and Oreste Nesti to traverse Italy documenting in situ sculptures, paintings, and frescoes that other firms such as Anderson, Alinari, and Brogi had neglected to capture. On several occasions, staff of the Frick Art Reference Library requested photography of objects specifically related to works in The Frick Collection. See more at frick.org/blogs/photoarchive/analog_facial_recognition

Lost and Found

The second of a series of blog entries focusing on conservation “interventions” as recorded in the holdings of the Frick Art Reference Library Photoarchive is this problematic portrait of an engaging young woman, her son, and their serene spaniel attributed to Sir William Beechey (1753–1839).

Art and Fashion

The first in a series of blog entries focusing on conservation “interventions” as recorded in the holdings of the Frick Art Reference Library Photoarchive is this elegant portrait of Mrs. William Bedlow Crosby attributed to Eliab Metcalf (1785‒1834), which underwent substantial restoration before 1940.

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