The Frick Collection
The West Gallery of The Frick Collection
 
Special Exhibition
 

Masterpieces of European Painting from Dulwich Picture Gallery
March 9 through May 30, 2010

  Rembrandt Harmensz van Rijn (1606–1669), Girl at a Window, 1645, oil on canvas, 81.6 x 66 cm, © The Trustees of Dulwich Picture Gallery
 

Rembrandt Harmensz van Rijn (1606–1669), Girl at a Window, 1645,
© The Trustees of Dulwich Picture Gallery

Dulwich Picture Gallery holds one of the world's major collections of seventeenth- and eighteenth-century paintings. The exhibition, which heralds the Gallery’s bicentenary in 2011, reintroduces American audiences to this institution’s collection through an exceptional group of works, to be shown exclusively at the Frick through May 30, 2010.

The signature masterpieces, many of which have not been on view in the United States in recent years, and, in some cases, never in New York City, are: Rembrandt van Rijn’s A Girl at a Window, 1645; Sir Anthony Van Dyck’s Samson and Delilah, c. 1619–20; Thomas Gainsborough’s Elizabeth and Mary Linley — The Linley Sisters, 1771–72; Sir Peter Lely’s Nymphs by a Fountain, c. 1650; Canaletto’s Old Walton Bridge, 1754; Gerrit Dou’s A Woman Playing a Clavichord, c. 1665; Antoine Watteau’s Les Plaisirs du Bal, c. 1717; Bartolomé Esteban Murillo’s The Flower Girl — Spring, 1665–70; and Nicolas Poussin’s The Nurture of Jupiter, c. 1636–37.

Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator at the Frick interviews Xavier F. Salomon, Arturo and Holly Melosi Chief Curator at Dulwich, in this interesting podcast in which they discuss the history of Dulwich Picture Gallery and the origins of the exhibition at The Frick Collection.

Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator at the Frick, interviews Xavier F. Salomon, Arturo and Holly Melosi Chief Curator at Dulwich, in this interesting podcast in which they discuss the history of Dulwich Picture Gallery and the origins of the exhibition at The Frick Collection.

The exhibition, in the Frick’s Oval Room and Garden Court, is co-organized by Colin B. Bailey, Associate Director and Peter Jay Sharp Chief Curator at the Frick, and Xavier F. Salomon, Arturo and Holly Melosi Chief Curator at Dulwich. A fully illustrated catalogue, written by Dr. Salomon, features an essay on the origins of the collection at Dulwich as well as comprehensive entries on the nine works.

Principal funding for the exhibition is provided by Christie's and Melvin R. Seiden.

Additional support is generously provided by John and Constance Birkelund, Mr. and Mrs. Walter A. Eberstadt, Fiduciary Trust Company International, Barbara G. Fleischman, Francis Finlay, and Hester Diamond.

The accompanying catalogue is made possible by Jon and Barbara Landau.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.