Masterpieces of European Painting from the Norton Simon Museum
February 10 through May 10, 2009
The Cleaning of a Masterpiece
Overview | Radiograph | Before Treatment | Varnish | After Conservation | Podcast
Following removal of the old varnish and overpaints, the composition is noticeably brighter. The wood inlays on the table’s surface and the texture of the fruits' skins are more readable. Minor losses in the paint layers (caused by flaking in the past) are visible.
Place your cursor over the painting to see details (requires JavaScript).
Francisco de Zurbarán’s Still Life with Lemons, Oranges and a Rose of 1633. Photograph of the painting after removal of old varnish. Software courtesy of Magic Toolbox.
The Cleaning of a Masterpiece photography courtesy of The J. Paul Getty Museum, Los Angeles.
The exhibition is accompanied by a fully illustrated publication with an essay by Sara Campbell, Senior Curator, the Norton Simon Museum, as well as in-depth catalogue entries by Margaret Iacono, Assistant Curator, The Frick Collection. The softcover publication is available in the Museum Shop of the Frick, and by phone 212-288-0700.
Principal funding for Masterpieces of European Painting from the Norton Simon Museum is provided by Melvin R. Seiden in honor of Colin B. Bailey. Major corporate support is provided by Fiduciary Trust Company International. Additional support is generously provided by the Thaw Charitable Trust and Mr. and Mrs. John P. Birkelund. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.
|
