The Frick Collection
James Abbott McNeill Whistler (1834–1903), Symphony in Grey and Green: The Ocean, 1866, oil on canvas, The Frick Collection
 
Special Exhibition
 

Symphony in Grey and Green: The Ocean
Podcast | Video

Symphony in Flesh Colour and Pink: Portrait of Mrs Frances Leyland
Podcast | Video

Arrangement in Brown and Black: Portrait of Miss Rosa Corder
Podcast | Video

Harmony in Pink and Grey: Portrait of Lady Meux
Podcast | Video

Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac
Podcast | Video

Portraits, Pastels, Prints: Whistler in The Frick Collection 
June 2 through August 23, 2009

  James Abbott McNeill Whistler (1834–1903), Symphony in Grey and Green: The Ocean, 1866, oil on canvas, The Frick Collection
  James McNeill Whistler (1834–1903), Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac, 1891–92, oil on canvas, The Frick Collection

Arrangement in Black and Gold:
Comte Robert de Montesquiou-Fezensac


This “arrangement in black” was executed fifteen years after the Portrait of Miss Rosa Corder. The Comte de Montesquiou, a Symbolist poet and aristocratic dandy, was a model for Baron de Charlus in Proust’s novel À la recherche du temps perdu.

Although it required more than one hundred sittings, the portrait exhibits an especially rapid handling of paint. The artist conveys the softness of the chinchilla cloak with thin veils of paint. He deftly renders Montesquiou’s distinctive facial features with bold, loose strokes that contrast with the more delicate modeling of the faces in the other portraits on display.

The gold named in the picture’s title may refer to the gilded frame, which was placed on the canvas early in the painting process.

See the video podcast by Curator Emeritus Edgar Munhall.