Blogs

This [painting] annihilates time as far as poor mortals may. —William Carlos Williams on Titian’s Portrait of a Man in a Red Hat

In celebration of The Frick Collection’s eighty-fifth anniversary, commemorating the museum’s opening to the public in December 1935, explore a list of surprising Frick facts—one for each of our eighty-five years—and put your Frick knowledge to the test.

On the occasion of the museum’s 85th anniversary, discover the colorful early press reactions to The Frick Collection’s 1935 opening.

Ars Longa is a blog series exploring lost, altered, and destroyed works of art that are preserved in the records of the Frick's Photoarchive. In this post, the Photoarchive helps us uncover the complex history of a painting by the circle of Peter Paul Rubens, two separate panels of which today reside in two different museums.

Co-sponsored by the Museum of Modern Art and the Frick Art Reference Library, this upcoming four-part symposium examines the connections between science, technology, and art history. Read more for a preview of the important topics under consideration, including what technological advances might benefit the study of art in the near future.

Helen Sanger (1923–2020), the Frick Art Reference Library’s first Andrew W. Mellon Chief Librarian, passed away in July at the age of 96. Her forty-seven-year career at the library shaped the institution profoundly, and her legacy lives on in many areas of its initiatives.

In this installment of Untold Histories, explore the relics of the Fricks' extensive annunciator system. This network of call bells connected the family to its staff and offers a glimpse into the rhythms of domestic service at 1 East 70th Street.

Housekeeper Minerva Stone is integral to the story of those who kept the Fricks’ Gilded Age home running. Though no personal accounts survive, we can paint a picture of Stone’s larger biography, lending context to the years she spent at the crossroads of her employer’s immense wealth and majority-immigrant staff.

The Frick's beloved Mistress and Maid (1666–67) by Johannes Vermeer poses many unanswered questions, notably its seemingly unfinished background. A recent technical study in collaboration with The Metropolitan Museum of Art and the Doerner Institut uncovers important new information about the painting, one of only thirty-six works attributed to the artist. 

Would you like to save and share your favorite works of art from The Frick Collection? Do you have a unique idea for a themed online collection? You can do all these things using My Collections.