Library

One Hundred Years at the Library

"Unframing” Visual Literacy: Critical Engagement with Art and Visual Culture

Discovering Archival Material at the Frick

Critical Information Literacy: An Introduction

Watermark Match Discoveries in Drawings by Rembrandt

Introduction to Artist Biographical Resources

The Montias Database: Exploring 17th-Century Dutch Domestic Interiors Digitally

WWII-Era Provenance Research

The History of Collecting: Then and Now

Introduction to Web Archives

Recovering Women’s Legacies: Artists, Dealers, Collectors, and Patrons

Super Searcher: Strategies for Getting the Most Out of Your Online Searching

Hunting for Paper Moldmates in Leonardo da Vinci’s Codices

America and the Art of Flanders: Collecting Paintings by Rubens, Van Dyck, and Their Circles

Illustrating Identity

Provenance Stories

Collecting Impressions: Six Centuries of Print Connoisseurship

Technological Revolutions and Art History

Using the Library

Photoarchive: Highlights of the Collection

Research Tool Overview: Zotero

Exploring WorldCat

Conducting Photoarchive Research Using Frick Digital Collections

Exploring Open Access Image Resources

Exploring Open Access Resources

Leila A. Amineddoleh: "Importance of Provenance in Legal Matters and Ownership Disputes"

Goncourt Brothers and the Taste for the Eighteenth Century

Competing Truths: Art and the Objects of History after the Council of Trent

Entering the Art Market: Collectors and Their Passions

Dr. Lindsay Cook: "Restoring Notre-Dame: A Look at the Digital Scans That Could Help""

Collecting the "Uncollectible": Earth and Site-Specific Sculpture

Deena Engel, Glenn Wharton: "Artist Archives Initiative: New Research Models for Contemporary Artists"

When Michelangelo was Modern: The Art Market and Collecting in Italy, 1450–1650

Anne Helmreich: "Exploring the Gilded Age Art Market Through a Digital Lens"

C. Richard Johnson, Jr. "The Watermark Identification in Rembrandt's Etchings (WIRE) Project at Cornell"

150 Years of Collecting Impressionist Art: From the Avante-Garde to the Mainstream

Searching Through Seeing: Optimizing Computer Vision Technology for the Arts

Celebrating a Great Collector and His Domaine: The Duke d’Aumale and the Art Collections at Chantilly

"The Frick Art Reference Library in World War II: Helping Save Europe’s Art"

Selections from 'Have to Have It: Philadelphians Collect 1850-1930'

Paul Jaskot: “Using Digital Humanities to Understand the Architecture of the Holocaust”

Sculpture Collecting and Display, 1600–2000

Using Computed Weave Maps to Gain Art-Historical Insight from Vermeer's Canvases

Inge Reist: "Acts to Follow: Three Centuries of Tastemakers and Collectors"

Made in the USA: Collecting American Art during the Long Nineteenth Century

America and the Art of Flanders: Collecting Paintings by Rubens, Van Dyck, and Their Circles

A Demand for Drawings: Five Centuries of Collecting

Preferring the Now: Two Centuries of Collecting Contemporary Art

Seen through the Collector's Lens: 150 Years of Photography

El Greco Comes to America: The Discovery of a Modern Old Master

Richard Ormond: “Sargent’s Lady Agnew of Lochnaw”

Chatsworth and Waddesdon: Collecting Then and Now

The Americas Revealed, Collecting Colonial and Modern Latin American Art in the United States

Collecting Connections: A Panel Discussion with Tom Hill, Richard Feigen, and Jock Reynolds

Edmund de Waal: "Start Again: Collections and Memory"

Eli and Edythe Broad: A New Museum for Los Angeles

Money for the Most Exquisite Things: Bankers and Collecting from the Medici to the Rockefellers

The Dragon and the Chrysanthemum: Collecting Chinese and Japanese Art in America